
Feelings
Hedwige Leroux
Sculpture - 62 x 28 x 23 cm Sculpture - 24.4 x 11 x 9.1 inch
Price upon request
Sculpture : bronze
77 x 17 x 23 cm 30.3 x 6.7 x 9.1 inch
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Type
Numbered and limited to 12 copies
1 copy available
Signature
Artwork signed in the mold
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
77 x 17 x 23 cm 30.3 x 6.7 x 9.1 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Tags
Artwork sold in perfect condition
Artwork location: Belgium
Exclusively available upon order at Art Yi gallery in Brussels
New creation of 2024 for Christmas
All exhibition editions are just sold, and new edition under creation with 2 months lead time
Brussels artist and foundry in belgium
Hedwige Leroux's “Waiting for a Sign" is an exquisite depiction of poetic stillness and introspection, elegantly capturing a fleeting but profoundly meaningful moment in the human experience. The sculpture, with its slender, graceful form, evokes both fragility and quiet resilience as the girl moves forward in a gentle breeze. Her flowing green dress, sculpted with a texture reminiscent of tender spring leaves or a bird's wings, becomes a metaphor for freedom and hope. The wind gently lifts the fabric, blossoming like a flower in motion, as if nature itself were responding to her silent desire. This dress not only adds movement to the composition, it also symbolizes the transformative journey she is undertaking—light yet grounded. "Women are my favorite subject. A free and multiple woman: active, seductive, graceful, connected. Contemporary."
-Hedwige Leroux Hedwige Leroux's women immediately catch the eye with their elegance. Tall, thin, slender, they pose, sure of their charm and seduction. Serene, they seem detached from the instabilities of the world, these illegible revolutions. The eternal woman, emerging from a dream world and imposing her delicate presence. All of Hedwige's sensitivity is revealed in these models of fragile appearance. Hedwig looks at the world around her and reveals our habits and attitudes in her sculpture. Hedwig's work is remarkable, unique and very contemplative... On one side there is the feminine and sensual part (the woman), on the other side the urban and modern sphere (for example the smartphone). The phone makes us imagine new scenarios, in a story to be discovered. Communication is mainly done through emotions and moods rather than didacticism and rationality.
• Hedwige Leroux was born in Belgium in 1961 and lives in Brussels.
• “Women are my favorite subject. A free and multiple woman: active, seductive, graceful, connected. Contemporary."
-Hedwige Leroux
"With one eye, observe the outside world, with the other, look deep within yourself."
• Hedwige Leroux's women immediately catch the eye with their elegance. Tall, thin, slender, they pose, sure of their charm and seduction. Serene, they seem detached from the instabilities of the world, these illegible revolutions. The eternal woman, emerging from a dream world and imposing her delicate presence. All of Hedwige's sensitivity is revealed in these models of fragile appearance.
• But Hedwige's women are also contemporary, anchored in today's world whose codes and customs they appropriate. The mobile phone, for example, an essential instrument for professional life, for romantic exchanges, for self-celebration. A nod to this consented addiction. A mirror of today.
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