Betty Boop
John Capitano
Painting - 102 x 149 x 4 cm Painting - 40.2 x 58.7 x 1.6 inch
€3,995 €3,396
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Plum Blossoms #2,
2024
John Capitano
Painting : acrylic
61 x 94 x 4 cm 24 x 37 x 1.6 inch
€1,370
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
61 x 94 x 4 cm 24 x 37 x 1.6 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Canada
This artwork is a vibrant explosion of colors and forms, masterfully combining elements of abstraction and surrealism. The canvas is dominated by a swirling array of organic shapes that resemble floral motifs, yet extend beyond traditional botanical representation into the fantastical. Rich hues of reds, blues, and greens intermingle with splashes of pink and yellow, creating a dynamic sense of movement and energy. Each brushstroke appears deliberate, contributing to a complex interplay of textures and layers. The composition is further enriched by intricate patterns and geometric shapes, which add depth and intrigue. The artist's bold use of color and form challenges conventional perceptions, inviting the viewer to engage visually and emotionally. This piece stands out for its vivid imagination and skillful execution, making it a captivating centerpiece in any collection.
Imagine it at home
Discover more by the artist
Plum Blossoms #2
John Capitano
Painting - 61 x 94 x 4 cm Painting - 24 x 37 x 1.6 inch
€1,550 €1,318
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€2,105 €1,790
Autumn Hydrangeas #2
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Kowloon Street #2
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Painting - 122 x 107 x 4 cm Painting - 48 x 42.1 x 1.6 inch
€2,950 €2,508
Presentation
"In 1986 I began to paint using a system of chance to select colors. This strategy is as follows:
I choose an area to be painted. I then throw a dart at the dartboard bull's eye. When a numbered wedge is struck, I then paint with its predetermined hue.
Carried out in a playful spirit, this arbitrary system results in unique color combinations. To resolve a painting my game-playing shifts to problem-solving, still maintaining this chance process.
I continue to work within this process because my artistic concerns still revolve around elements of play and discovery. However, while my concern is with visual dynamics - the play of color, visual effects and the visceral nature of paint, its various applications and interactions - I am intrigued by the tension between these strictly painterly or abstract concerns and representational imagery.
I have worked through a wide range of imagery including still life whose status historically as low art makes it an appropriate place to explore freely. More recently I have returned to even more banal subjects that also lend a sense of humour to my work. Confronting the mundane nature of everyday life, I am representing everything from the kitchen sink and its usual forms of disarray to the formidable state of the bathroom - a rare subject in the realm of art.
Though the playful nature of the subject compliments the process, there often remains a tension intrinsic to this same process - the tension between chaos and order, struggle and play, indeterminacy and self-expression."
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