Tangerine Blues Contemporary Oil Painting, 2020
Karen Lynn

Painting :

91.4 x 121.9 x 5.1 cm 36 x 48 x 2 inch

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

91.4 x 121.9 x 5.1 cm 36 x 48 x 2 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: United States

This is a painting from the artist's series of architectural paintings that she has been painting now for a few years.

In this particular painting, the artist wanted to create the surreal quiet at twilight of a modernist house giving off a warm orange glow, against a reflective blue water pool in the foreground.

This painting is painted on a thick edged canvas. Edges are painted and whilst unframed is ready to hang.
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About the seller

Ai Bo Gallery • United States

Artsper seller since 2021

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Imagine it at home

Karen Lynn, Tangerine Blues Contemporary Oil Painting
United Kingdom

Presentation

Karen trained as a fashion designer at Harrow School of Art and then as a Costume Designer at The English National Opera Company.  Later she discovered her love of set design, interiors and architecture.  She then worked for many years as a Set decorator and Props Stylist on many feature films, commercials and TV productions.

She has been a figurative painter now for some years and loves to paint people, fashion, exterior architecture, interesting buildings and flora in landscapes.

She works in oils and has a distinctive style, no matter what she paints. Her work is thematic and she is attracted to and revisits time and time again, her favourite subjects, including crowds which feature highly detailed colourful images in the vogue of sophisticated and stylish fashions of the 1950s. She paints people, inspired by people she knows, people in the public eye and others from her imagination.

Her fashion/stylist background allows her to invent a chorus of colours making patterns all painted with a stylist's eye for colour and imagery.  A fascination with non-uniform informality, that is to say, enticing the viewer at first to be attracted by the repetition of objects (people, trees, buildings) in a scene.  But on closer inspection, inviting them to notice and compare discernible differences.

Her 'Crowd People paintings' are inspired by her fascination with people in groups, their faces, their similarities and their differences.  The fashion elements are from her training as a fashion designer.

Her other passion/inspiration comes from the interior/exterior design part of her background and experience, where for many years she 'dressed' sets for feature films and TV to create the scene for the Director.  With her architectural paintings and the crowd people paintings, the common theme is her love of the retro/modernist look and this inspires nearly all of her work.

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