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A New Dirction,
2024
Penelope van Hoorn
Painting : acrylic
100 x 100 x 1.5 cm 39.4 x 39.4 x 0.6 inch
€1,800
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
100 x 100 x 1.5 cm 39.4 x 39.4 x 0.6 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: United Kingdom
This abstract artwork is a striking symphony of color and emotion, masterfully blending vivid hues of blues, greens, and pinks. The piece captures a dynamic interplay between bold brushstrokes and soft, flowing forms, creating a sense of movement and depth. The juxtaposition of cool blue and green tones with lively pinks evokes a sense of balance between tranquility and energy. The artist's use of texture adds an intriguing tactile element, inviting viewers to explore the layers and nuances within the composition. Displayed prominently in a modern setting, the artwork commands attention, serving as a focal point that enlivens the space. Its abstract nature allows for varied interpretations, encouraging personal reflection and engagement. This piece is a testament to the power of color and form, making it a compelling addition to any art collection or interior design.
About the seller
Professional art gallery • United Kingdom
Vetted Seller
Imagine it at home
Discover more by the artist
Garden Ribbon
Penelope van Hoorn
Painting - 100 x 80 x 1.5 cm Painting - 39.4 x 31.5 x 0.6 inch
€1,950
View from the Top
Penelope van Hoorn
Painting - 80 x 70 x 1.5 cm Painting - 31.5 x 27.6 x 0.6 inch
€1,700
A Few Days Later
Penelope van Hoorn
Painting - 70 x 80 x 1.5 cm Painting - 27.6 x 31.5 x 0.6 inch
€1,800
Presentation
For me, anything or anyone interesting is has required looking beneath what is presented. My work explores this theme in conjunction with the concept of natural connection.
There is a unifying underlying language. The paint—its forms, colours and textures—seems to want to express something about the will of nature to make connections and look below the surface, its use of energy to bind atoms and molecules into organic forms. I see these ideas emerging as I create a new piece. Sometimes I will respond by zooming in on moments or molecules because they feel extraordinary to me. At other times I will accept that there is an immoveable layer or veil before me, whose windows or tears enable glimpses of an organic world beyond. In that respect, each new piece is a conversation between me and the medium about this other conversation between me and the world.
In the end, I want my work to express the beauty and harmony inherent in these ideas.
I like the boldness of acrylics, and they lend themselves well to an important aspect of my process, which is to work over an initial ground soon after it is finished, before applying sometimes several additional layers as the picture makes its way to its final form. Often I use pencil too to create texture and looseness.
The most important thing for me is a feeling of balance and naturalness. I want my paintings to feel like meaningful interventions and yet also like things that have always existed, or that could evolve naturally.
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