Gato Pop,
2023
Zeta Yeyati
Photography : collage, mixed media
70 x 50 x 0.5 cm 27.6 x 19.7 x 0.2 inch
$374
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About the artwork
Type
Unique work
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 50 x 0.5 cm 27.6 x 19.7 x 0.2 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Mexico
Gato Pop obra de Zeta Yeyati a feline burst of nostalgia and color
Gato Pop obra de Zeta Yeyati unfolds as a visual manifesto where playfulness, urban flair and intimacy converge in an image brimming with energy. The painting portrays a cat with a bold yet charming stance, the undisputed protagonist of the composition. This Gato Pop is more than an animal, it becomes an icon of the everyday reimagined through the artist's gaze. Executed in mixed media combining acrylic, stencil and collage on paper, the 50x70cm piece uses ornamental elements, paint splashes and layered compositions to create depth and dynamism. The palette of red, yellow, white and black evokes the aesthetics of comic books and street art. As in all his works, Yeyati's underlying philosophy is present: transforming discarded materials into symbolic poetry. Gato Pop obra de Zeta Yeyati elevates the trivial and reminds us that what once seemed like trash can become meaningful beauty.
A childhood shaped by pencils and wood foreshadowed a unique vision
Since his early years, Zeta Yeyati explored form with a sensitivity that surpassed academic expectations. Born in Burzaco in 1965, his creative drive emerged through drawing and manual work long before music became another form of expression. Today, as a visual artist, his approach is rooted in the poetic recovery of recycled materials. This vision, which finds aesthetic and emotional value in the discarded, is central to understanding his work. Yeyati turns overlooked objects into visual narratives that connect with the emotional, the fantastical and the intimate.
Gato Pop obra de Zeta Yeyati a visual identity built from the margins
Gato Pop obra de Zeta Yeyati is a clear embodiment of how the artist builds his images from the edges of convention. Self-taught by choice and naturally inquisitive, Yeyati trained in the studios of masters like Pujía, Ferrari and Aisemberg, though he never adhered to any school. His creative process blends ceramics, assemblage, collage and graphic interventions with absolute freedom. The Gato Pop piece, crafted from urban debris and found objects, presents a character drawn with essential lines, a striking gaze and a style that dances between comics and expressive painting. Gesture dominates form, and a quiet humor emerges, evoking imaginary worlds that blend fantasy and reality. Layered planes, surface effects and bold colors make this work a prime example of how Yeyati's visual identity thrives in hybridity.
Between play and critique art that redefines the everyday
Gato Pop obra de Zeta Yeyati captures more than an endearing image it elevates it to symbolic status. In his visual language, the simple coexists with the sophisticated, the discarded with the precious, the personal with the collective. This piece reminds us that art can be rebellious, a form of rescue, a new way of seeing. The cat, at the center, stares back with tenderness and irony, as if it holds a secret we have yet to understand. Through visual ingenuity and a clear creative ethic, Zeta Yeyati turns each stroke into an invitation to reflect, imagine and discover hidden beauty in what others overlook. In the tension between playfulness and critique, his work finds its strongest voice.
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Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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