Wind Dreaming - Walpa Tjukurrpa, 2016
Jorna Newberry

Painting : acrylic

30 x 30 x 3 cm 11.8 x 11.8 x 1.2 inch

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About the artwork

Type

Unique work

Signature

Not Signed

Authenticity

Sold with certificate of Authenticity from the gallery

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Dimensions cm inch

30 x 30 x 3 cm 11.8 x 11.8 x 1.2 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Aboriginal art

Australia

Tradition

orange

Red

Artwork sold in perfect condition

Artwork location: France

Jorna began painting in the mid-1990s in Warakurna, making works for novice collectors. Later she joined the Irrunytju Art Center and started painting for this group. In recent years, she has worked closely with her famous uncle, Tommy Watson. She then follows his teaching aimed at favoring abstraction as a stylistic mode to preserve the secret of traditional cultures, rather than adopting the more figurative approach of the artists of Papunya Tula. She says, "Tommy was a big influence on me. He teaches me to be respectful in the way I paint." Walpa Tjukurrpa (Dream of the Wind) refers to his mother's country in Utanja, a large expanse of sacred land with hills and a large rocky hole where many people came episodically to paint, dance and perform ceremonies. It is a country full of kangaroos, camels, rock wallabies and birds. "The wind ceremony creates air to cool the land...". "She explains that the wind also helps in hunting, because being downwind of the animals allows them to be hunted successfully.
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About the seller

Professional art gallery • France

Artsper seller since 2018

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Imagine it at home

Jorna Newberry, Wind Dreaming - Walpa Tjukurrpa
Australia  • 1959

Presentation

Jorna Newberry is a Pitjantjatjara artist who was born around 1959 at Angus Downs.
She currently splits her time between living a traditional Indigenous life in Warakuna and a modern life with her family in Alice Springs.

The late, great Tommy Watson was Jorna's uncle and has been a tremendous influence on her work. Tommy taught her to paint in a multi-layered abstract way, so as to maintain the secrecy of important culture matters.
Jorna initially started to paint in the mid 1990's at Warakuna. Her paintings refer to her country of Irrunytju in the Western Desert and are associated with significant traditional places of spiritual knowledge and ancestral stories, which are imbedded in the land.
Recently, she developed a distinctive change in style, with a subtle, colour palette of whites, creams and neutrals on black ground. These richly detailed paintings create a sophisticated, contemporary aesthetic. Many represent Ngintaka, a giant perentie lizard and creation ancestral being of the Anangu Pitjantjatjara people.  The Ngkintaka songline is the major creation story of the Angatja area, and indicates the significant spiritual connection to their lands. Perentie are tracked for long distances and hunted for food.

Another theme in her work is the portrayal of Walpa Tjukurpa - the wind dreaming. This is a story of Jorna's mother's country at Utantja, a large stretch of sacred ceremonial land that has hilly country and a large rock hole where many people come from time to time to paint up, dance and do ceremony. It is country filled with kangaroos, camels, rock wallabies and birds. 
“The wind ceremony forms winds… creates air to cool the lands…"  Jorna explains that wind also helps in hunting as being downwind from animals makes it easy to hunt successfully. In painting this story Jorna creates great movement and depth, with repetitive circular patterning, and intricate dotting.  The very surface of these works suggest the movement of wind across the desert sands, which creates eddies and ever changing surface patterns.

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