L’herbe des Corbières
Anna Camille
Fine Art Drawings - 30 x 42 x 1 cm Fine Art Drawings - 11.8 x 16.5 x 0.4 inch
€700
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En jaune 5,
2021
Anna Camille
Painting : oil
102 x 74 x 3 cm 40.2 x 29.1 x 1.2 inch
€3,600
€3,240
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
102 x 74 x 3 cm 40.2 x 29.1 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This artwork, immediately captivating through its expressive simplicity, presents a partially side-profiled female figure delicately sketched against an intense, textured yellow background. The striking contrast between the dark silhouette and the vibrant backdrop creates a palpable tension, perhaps symbolizing an inner struggle or a quest for identity. The woman, with her vaguely defined features, conveys a sense of deep introspection. Her inclined posture and downward gaze add a layer of reflection and contemplation. The artist’s skillful use of light on the figure's face and shoulders demonstrates a remarkable technical mastery, using shadows to emphasize emotion. The background, a rich and dynamic yellow, seems almost in motion, as if time or emotion were inflaming the scene. The visible texture, seemingly layered, brings the canvas to life, creating a depth that draws the viewer into a universe that is both abstract and personal. This work stands out for its economy of means, where every brushstroke appears calculated to convey a specific emotion. It embodies the perfect fusion of abstraction and portraiture, inviting the audience to ponder the essence of being and the emotional nuances that shape the human experience.
About the seller
Galerie Séraphine • France
Artsper seller since 2021
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Anna Camille
Fine Art Drawings - 32 x 25 x 1 cm Fine Art Drawings - 12.6 x 9.8 x 0.4 inch
€560
Presentation
Anna Camille works simultaneously on several series, all with different objectives.
Portraits on an orange-yellow background. Expressive faces, full of life, almost moving. The body just sketched, suggested. The painting captures an attitude, a look. It's effective, treated with economy, a concern not to say too much, a desire to stick as close as possible to the moment captured. Anna Camille goes straight to the point: no background, so that the eye is really focused on the face, its expressions and the light that emanates from it.
In fact, the face vibrates. It also raises questions: from a distance, we think we're dealing with charcoal, but up close, we identify the medium actually used by the artist: oil paint, a technique that requires slowness and maturation. This is the paradox of this work: Anna Camille starts with a quick selfie or photo, but chooses a medium that requires her to slowly absorb the expressions she sees and extract their essence.
Portrait or self-portrait, in the end it doesn't matter, the figure is treated with the ambition of showing a "moment", from which we can see a part of human nature, the joy, the bewilderment, the firmness, the tenderness. "Oscar Wilde wrote: "Any portrait that is painted with soul is a portrait not of the model, but of the artist.
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Portraits on an orange-yellow background. Expressive faces, full of life, almost moving. The body just sketched, suggested. The painting captures an attitude, a look. It's effective, treated with economy, a concern not to say too much, a desire to stick as close as possible to the moment captured. Anna Camille goes straight to the point: no background, so that the eye is really focused on the face, its expressions and the light that emanates from it.
In fact, the face vibrates. It also raises questions: from a distance, we think we're dealing with charcoal, but up close, we identify the medium actually used by the artist: oil paint, a technique that requires slowness and maturation. This is the paradox of this work: Anna Camille starts with a quick selfie or photo, but chooses a medium that requires her to slowly absorb the expressions she sees and extract their essence.
Portrait or self-portrait, in the end it doesn't matter, the figure is treated with the ambition of showing a "moment", from which we can see a part of human nature, the joy, the bewilderment, the firmness, the tenderness. "Oscar Wilde wrote: "Any portrait that is painted with soul is a portrait not of the model, but of the artist.
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