![Print, 151R31032 ABC, aquatinte, Pierre Muckensturm](https://media.artsper.com/artwork/2230631_1_grid.jpg)
151R31032 ABC, aquatinte
Pierre Muckensturm
Print - 65 x 150 x 0.05 cm Print - 25.6 x 59.1 x 0 inch
$1,928
Print - 65 x 150 x 0.05 cm Print - 25.6 x 59.1 x 0 inch
$1,928
Fine Art Drawings - 65 x 50 cm Fine Art Drawings - 25.6 x 19.7 inch
$1,361
Sculpture - 60 x 60 x 22 cm Sculpture - 23.6 x 23.6 x 8.7 inch
$4,764
Print - 56 x 76 x 0.5 cm Print - 22 x 29.9 x 0.2 inch
$1,588
Print - 56 x 76 x 0.5 cm Print - 22 x 29.9 x 0.2 inch
$794
Print - 76 x 168 x 0.5 cm Print - 29.9 x 66.1 x 0.2 inch
$2,382
Print - 65 x 150 cm Print - 25.6 x 59.1 inch
$1,481
Print - 50 x 150 cm Print - 19.7 x 59.1 inch
$1,481
Print - 58 x 100 x 0.5 cm Print - 22.8 x 39.4 x 0.2 inch
$1,248
Fine Art Drawings - 42 x 29.7 cm Fine Art Drawings - 16.5 x 11.7 inch
$737
Fine Art Drawings - 40 x 30 cm Fine Art Drawings - 15.7 x 11.8 inch
$737
Fine Art Drawings - 40 x 30 cm Fine Art Drawings - 15.7 x 11.8 inch
$808
Fine Art Drawings - 42 x 59 x 1 cm Fine Art Drawings - 16.5 x 23.2 x 0.4 inch
$1,531
Print - 48 x 114 x 0.05 cm Print - 18.9 x 44.9 x 0 inch
$1,361
Print - 58 x 100 x 0.05 cm Print - 22.8 x 39.4 x 0 inch
$1,248
Print - 100 x 100 x 0.05 cm Print - 39.4 x 39.4 x 0 inch
$2,155
Print - 76 x 56 x 0.5 cm Print - 29.9 x 22 x 0.2 inch
$794
Print - 76 x 56 x 0.5 cm Print - 29.9 x 22 x 0.2 inch
$794
Print - 50 x 65 x 0.5 cm Print - 19.7 x 25.6 x 0.2 inch
$794
Print - 65 x 50 x 0.5 cm Print - 25.6 x 19.7 x 0.2 inch
$1,588
We form details, sometimes trivial, into a singular totality that makes sense and becomes a coherent whole.
Pierre Muckensturm is a french abstract painter and print maker born in Strasbourg, currently living in Colmar. He studied at Louis Pasteur University in Strasbourg. He is searching for the symbol, the matter and the light in the dark and the silence. He loves the dark, but he loves it from a scientist's point of view. « It's substantive work: the research of non-colour ». Or the research of a material. He starts with figurative painting and discovers abstraction in 2004 through Le Corbusier.
This is what Pierre Muckensturm says about his paintings : « The canvas is not a support anymore. I work on what it undergoes ». The canvas becomes painting in the end, and the black allows the examination of its apparent silence. So the color is not interesting in this context. He is inspired by calmness, constancy and temporality. He meets Julius Bissier, whose work also brings tranquility.
And neither is the shape: « The cross is a meeting point. This is where it happens ». The cross and the black question the « the immensity, or not ». This is a question of weightlessness, « of acceptance of the imbalance ». Not a shape, event if it owes its symmetry and its relentless geometry to the Alsatian culture, so rigourous and so well-ordered.
In 2004, he starts working on large scales canvases with oil painting, mixing calmness and intensity, sometimes adding printmaking, therefore exploring time and perspective.
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