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El futuro ha llegado
Richard García
Painting - 47 x 38 x 1 cm Painting - 18.5 x 15 x 0.4 inch
$1,787
No sé de dónde vienen los aullidos
Richard García
Painting - 47 x 38 x 1 cm Painting - 18.5 x 15 x 0.4 inch
$1,787
Series Alpine Skiing, Snowboarding, winter mountains white 3D plaster
Nataliia Krykun
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$2,262
Over my dead body!
David Carey
Photography - 41 x 30 x 0.1 cm Photography - 16.1 x 11.8 x 0 inch
$112
Modou, blanc jaune
Baptiste Laurent
Sculpture - 20 x 15 x 7 cm Sculpture - 7.9 x 5.9 x 2.8 inch
$848
My friends in Hawaii (Santiago loves to paddle)
Jullia Kim
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
$1,809
My friends in hawaii (Teddy in ab slider)
Jullia Kim
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
$1,809
Graminées Plumes / White Grasses
Vinciane Closset
Painting - 100 x 80 cm Painting - 39.4 x 31.5 inch
$1,674
Over the Millennia
Nemanja Nikolic
Painting - 121.9 x 91.4 x 2 cm Painting - 48 x 36 x 0.78 inch
$1,923
Chapelle perdue
Christophe Jacrot
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$3,053
Jackson Pollock (v3) splash 400% & 100%
Bearbrick
Design - 28 x 10 x 10 cm Design - 11 x 3.9 x 3.9 inch
$520
Principios de la Hospitalidad I
Isabel Herrera
Photography - 38.1 x 38.1 x 1 cm Photography - 15 x 15 x 0.4 inch
$1,979
Unchartered Territory 1
Laura Spring
Painting - 40.6 x 55.9 x 0.3 cm Painting - 16 x 22 x 0.1 inch
$230
Unchartered Territory 9
Laura Spring
Painting - 55.9 x 40.6 x 0.3 cm Painting - 22 x 16 x 0.1 inch
$230
Unchartered Territory 8
Laura Spring
Painting - 55.9 x 40.6 x 0.3 cm Painting - 22 x 16 x 0.1 inch
$230
Seeking Calm - No 3
Maria Mueller Atelier
Design - 10 x 10 x 0.3 cm Design - 3.9 x 3.9 x 0.1 inch
$1,280
Seeking Calm - No 22
Maria Mueller Atelier
Design - 10 x 10 x 0.3 cm Design - 3.9 x 3.9 x 0.1 inch
$1,280
The Hollowed Nexus II
Palak Modi
Painting - 91.44 x 91.44 x 3 cm Painting - 36 x 36 x 1.2 inch
$2,771
J’ai l’âme nomade
Magdalena Lamri
Fine Art Drawings - 80 x 60 x 0.1 cm Fine Art Drawings - 31.5 x 23.6 x 0 inch
$2,578
J’ai escaladé ce que les vagues effacent
Magdalena Lamri
Fine Art Drawings - 100 x 70 x 0.1 cm Fine Art Drawings - 39.4 x 27.6 x 0 inch
$2,986
Dans l’écho du silence
Magdalena Lamri
Fine Art Drawings - 70 x 70 x 0.1 cm Fine Art Drawings - 27.6 x 27.6 x 0 inch
$2,578
Les volets clos
Magdalena Lamri
Fine Art Drawings - 100 x 70 x 0.1 cm Fine Art Drawings - 39.4 x 27.6 x 0 inch
$2,714
Mini collector Draw me a bear
Stéphane Gautier
Print - 25 x 25 x 1 cm Print - 9.8 x 9.8 x 0.4 inch
$679
At the end of the tunnel
Baptiste Laurent
Painting - 50 x 50 x 0.3 cm Painting - 19.7 x 19.7 x 0.1 inch
$679
Concert nocturn a Bujaraloz
Ferran Cartes Yerro
Sculpture - 35 x 35 x 6 cm Sculpture - 13.8 x 13.8 x 2.4 inch
$622
Descubrir Arena 0.2
Esther Argelich
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
$2,318
Composition No.322
Sumit Mehndiratta
Painting - 30.5 x 91.4 x 0.1 cm Painting - 12 x 36 x 0 inch
$1,018
Hope in the Shadow of Death
Selma Tunca
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$4,806
Mademoiselle Sayana
Angelika Zorigt
Painting - 50 x 39.5 x 2 cm Painting - 19.7 x 15.6 x 0.8 inch
$1,470
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!