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Autoplastic Insecteating Discourse,
2007
Zsolt Gyarmati
Painting : mixed media
80 x 60 x 2.5 cm 31.5 x 23.6 x 1 inch
$2,720
2 720 $US
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
80 x 60 x 2.5 cm 31.5 x 23.6 x 1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United Kingdom
This is a powerful philosophical canvas that acts as Zsolt Gyarmati's visual examination of the pressure applied to the human psyche by the contemporary digital and consumer environment. Created in 2007, the work responds directly to what the artist terms "Noise"—the constant, aggressive torrent of uncomprehended information that causes psychic trauma and necessitates a survival mechanism.
The highly complex title functions as a dense theoretical statement. Autoplasticity refers to the Freudian concept of forced adaptation: modifying one's internal self to cope with an external world that is too vast and chaotic to change. This work posits that this self-modification is the mandatory psychological mode of survival in the high-tech age, a subtle form of surrender.
The element Insecteating is a visceral cultural metaphor. It stands for the anxiety surrounding forced consumption—not simply of sustainable foods, but of any culturally repulsive or challenging truth dictated by the overarching system or. Gyarmati visualises the trauma of conforming identity, showing that to function in the modern era, one must ingest the "nauseating quality of the millennium".
The technique is a deliberate manifestation of this. Gyarmati synthesises traditional media (oil, acrylic) with street elements (digital prints, stickers), creating a multi-layered "communication interface" that captures the chaos of simultaneously occurring sensations and interpretations. His signature application of highly reflective lacquer glazing is crucial: it not only "classicises" the urban chaos but physically transforms the surface into a mirror. The blurred reflection of the viewer is integrated into the composition, forcing them to recognise their own complicity and status as an "autoplastic adaptor" within the system. This makes the artwork a critical, self-aware artefact of the post-digital age.
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Presentation
Zsolt Gyarmati is a Hungarian artist whose work operates at the cutting edge of philosophical inquiry and visual expression. Born in Nyíregyháza in 1968, his artistic practice is rooted not in a conventional studio education but in a rigorous intellectual foundation, holding a Bachelor of Science from the Bessenyei György College. This unique academic background informs his exploration of complex concepts and distinguishes him as a creator who bridges the gap between scientific thought and artistic intuition.
Initially emerging from the Urban Art movement, Gyarmati's work quickly transcended simple street aesthetics to become a profound exploration of the human condition in the digital age. His paintings and mixed media installations are not merely aesthetic objects but are, in his own words, "picture modules" that attempt to articulate an inner world of 'uncomprehended background messages', a state he refers to as "Noise." His art is the direct response to this overwhelming informational flow, a visual distillation of the forces of destruction and creativity that it provokes. Through his signature use of bold colours, strong lines, and dynamic movement, he seeks to portray the interplay between the individual and the collective, and the impact of technology on modern identity. His work stands as a testament to the idea that true art can emerge from the very friction of contemporary life.
Gyarmati's art has been exhibited extensively in Hungary and internationally, with a notable presence in the UK and Ireland through group and solo shows in Cambridge and Dublin. His work has been recognised with several awards and honours, including the Hungarian Artist's Prize. His collectors are not merely acquiring a piece of art; they are acquiring a fragment of a complex philosophical framework, a singular visual manifestation of a rare intellectual vision. While his work is yet to appear at major public auctions, this presents a unique opportunity for prescient collectors to acquire a significant piece from an artist at the cusp of a major career inflection point, before his market reaches its full public potential.
Painters
Hungarian artists
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