
Intermezzo 3.
Bernadette Van Baarsen
Painting - 20 x 50 x 3.5 cm Painting - 7.9 x 19.7 x 1.4 inch
€800
Painting : oil
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch
One of the last works available by this artist
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Invoice from the gallery
Dimensions cm • inch
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
A colourful French Tachiste abstract oil on canvas by Antoine Arlandis. Signed bottom right.
This dynamic artwork presents an engaging composition of bold geometric shapes and vibrant colors. Dominated by overlapping rectangles and angular forms, the painting exudes a sense of movement and energy. The striking use of primary colors—red, blue, and yellow—intertwine with muted tones of brown and gray, creating a harmonious yet contrasting palette. Each shape seems to both collide and complement one another, drawing the viewer's eye across the canvas in a rhythmic flow. The interplay of light and shadow adds depth, while the textured surface enhances the tactile quality of the piece. This abstract work captivates with its balance between chaos and order, inviting viewers to explore the dynamic interaction of forms within a confined space, making it a compelling study of color, shape, and texture.
Arlandis was born in Valence, Spain, in 1946. His family moved to Algeria but eventually settled in Marseille, France. From an early age Arlandis loved to draw and paint. An autodidact his first formal training came when he worked with Roche a former pupil of Matisse. He participated in his first exhibition in 1968 at the 'Peano' in Marseille along with other local artists, followers of Pierre Ambrogiani, the famous « peintres du soleil » (Antoine Ferrari, Louis Audibert, Camille Pascal, etc). Arlandis travelled widely and during one of his 14 visits to Japan he met and worked with Kazuo Shirage and his wife Fujiko, grand masters of the Gutai movement. In 1988, Arlandis created the stained glass for the church of Saint-Mitre in Martigues. More recently he discovered the world of engraving working with Bernard Remusat. With him he created his first editions and also illustrated his first book using the text of Albert Camus. This painting seems inspired by his stained glass projects but also the Tachisme movement of earlier in the century.
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