Fashion on the Street, Paris 1963
Uwe Ommer
Photography - 50.8 x 40.6 x 0.3 cm Photography - 20 x 16 x 0.1 inch
$1,250
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Marise. From the Nature series,
2019
Uwe Ommer
Photography : color edition, archival pigment print
69.9 x 90.2 x 0.3 cm 27.5 x 35.5 x 0.1 inch
$3,500
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About the artwork
Type
Numbered and limited to 6 copies
6 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
69.9 x 90.2 x 0.3 cm 27.5 x 35.5 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This remarkable artwork captures a climactic moment within a stark and rugged landscape, where a daring climber scales the imposing façade of a rocky gorge. The photograph's composition reveals an intriguing juxtaposition between the formidable stone cliffs and the icy snow beneath, creating a striking dialogue between elements of endurance and the raw beauty of nature. The central focus is on the climber, whose form is evident against the cold, dense textures of the cliff. His presence injects vitality into the otherwise desolate scenery, emphasizing human tenacity and adventure against the backdrop of unyielding obstacles. The climber's nearly nude state accentuates a raw vulnerability and audacity, eliciting a visceral reaction from the viewer by portraying the extremes to which humans might go to conquer nature’s challenges. The foreground is dominated by the pristine expanse of snow, which reflects the diffuse light of an overcast sky, lending a muted and ethereal quality to the entire scene. The sheer cliffs, with their rugged detail and ominous height, create a sense of an ancient, timeless passageway carved by geological forces. The photograph does not merely document a physical feat; it’s a poignant statement on the human spirit's resilience and desire to explore the unknown. The climber’s journey up the sheer rock face becomes emblematic of mankind's eternal struggle against—and simultaneous symbiosis with—the formidable forces of nature. This artwork is a powerful, evocative creation that draws the audience into a moment of profound challenge and enduring splendor.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Rue Mouffetard
Uwe Ommer
Photography - 60 x 40 x 0.3 cm Photography - 23.62 x 15.74 x 0.1 inch
$1,500
Rue Mouffetard
Uwe Ommer
Photography - 60 x 40 x 0.3 cm Photography - 23.62 x 15.74 x 0.1 inch
$1,500
Presentation
Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women’s magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families” in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
Read more
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women’s magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families” in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
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