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Smiling Tree,
2019
César Piette
Print : fine art print, giclée
43 x 55 cm 16.9 x 21.7 inch
€2,816
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 50 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
43 x 55 cm 16.9 x 21.7 inch Height x Width x Depth
Framing
White wood frame
Artwork dimensions including frame
48.08 x 60.08 cm 18.9 x 23.7 inch
Artwork sold in perfect condition
Artwork location: United States
Medium: Giclée print on Hahnemühle Photo Rag Ultra Smooth Paper with deckled edges.
Notes: Hand Signed and Numbered by the Artist.Custom Framed Floating on White Acid Free Matting with a White Frame.
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Notes: Hand Signed and Numbered by the Artist.Custom Framed Floating on White Acid Free Matting with a White Frame.
About the seller
End To End Gallery • United States
Artsper seller since 2020
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Presentation
His paintings reinvestigate the very nature of Figurative Painting. Using its essential characteristics such as perspective, light, materials... The paintings have a slick, glossy surface and are realised on wood panels with airbrush, following a process that takes its roots into the traditional method of Classical Under-Painting. They are worked in monochromatic coats covered by color layers. The thin washes of airbrush paint, the combination of painting / underpainting and and the glossy surface give a particular light that seems to come from the background of the painting reminiscent the screen of a computer.
The Artworks emphasise our immersion in the virtual world and new technologies: those works are based on 3D modeling with a free, open source software, simulating light, space and materials. With 3D software, construction of the canvasses becomes literally a construction game.
Although their workmanship shows a strong technical mastery, a close inspection lets appear tiny scalpels strokes, painting's drizzles or subtle brush strokes on the surface, thus exploring the relation between the digital and the analog. They reflect the way how we apprehend pictures today, question us about the very nature of Art and our perception. They find themselves at the border of Painting, Toy's Photographs, and print of a 3D rendering.
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