Le remorqueur jaune,
1959
Fernand Léger
Print : lithography
65.5 x 50 x 0.3 cm 25.8 x 19.7 x 0.1 inch
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About the artwork
Type
Numbered and limited to 180 copies
Signature
Plate signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
65.5 x 50 x 0.3 cm 25.8 x 19.7 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Switzerland
Working in Paris during the height of Cubism, Fernand Léger’s iconic style, with its emphasis on primary colors and rounded, massive forms, has become informally regarded as “Tubism.” Even at their most abstract, Léger’s subjects are easier to recognize than the rigorous Cubist dissections of Pablo Picasso and Georges Braque, and the accessibility and contemporary subject matter of his works have led many to describe Léger as both populist and a forerunner of Pop Art. Interested in modern innovation, Léger joined the Puteaux Cubists, engaging with Robert Delaunay, Francis Picabia, and Jean Metzinger, among others. His interest in industry and machines was further encouraged by the Italian Futurist painters, and by his military service for France during World War I. While Léger would later revisit more traditional subjects—including the female nude, landscape and still life—these works retained his characteristically bold style.
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About the seller
TGP Auction • Switzerland
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Presentation
Fernand Léger was born on 4 February 1881 in Argentan (Orne) and died on 17 August 1955 in Gif-sur-Yvette (Essonne). He is a representative of the cubist current. His version of it is also called by critics "tubism", due to his preference for tubular forms. His style is close to Italian futurism, especially in his series of workers on scaffolds.
Fernand Léger studied in Paris, at the Ecole des Arts Décoratifs. His first works are influenced by Impressionism, but after discovering the work of Paul Cezanne, he shifted towards cubism.
In 1907, he moved to "La Ruche" (artist's studios in Paris), where he met numerous painters, including Paul Cézanne, Braque and Picasso. He was mobilized in 1914for service in the French Army, which marked a break in his work. At the front, he drew in the trenches; he was hospitalized and then sent home in 1917. He got married and moved to Vernon. Mechanical elements become more and more present in his works.
During the 20s he had a very productive period: he had numerous commissions and met many artists including Le Corbusier. He also worked for the cinema. His first big exhibition was held in Chicago in 1935.
At the breaking of World War II, he moved to New York. Many of his friends were also in exile in the US: André Breton, Masson, Tanguy, Ernst, Chagall, Mondrian. He returned to France in 1945, where he joined the Communist Party (with Picasso, among others) and defended ideas such as realism in art.
Fernand Léger was also the Director of painting schools, such as the Montrouge and Montmartre schools, where students such as Louise Bourgeois or Serge Gainsbourg were trained.
Find this artist and many more in our collection of works from the cubist movement.
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