Beyond the imposed framework, 2026
Lidiia Trokhym  

Painting : acrylic · 110 x 100 x 2 cm 43.3 x 39.4 x 0.8 inch

€1,000 1 000 €

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Shipped from: Ukraine

Delivery to: Germany , € 60

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

110 x 100 x 2 cm 43.3 x 39.4 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2022 • Top Seller

Description

The artwork is currently rolled and unframed. The canvas measures 100×90 cm +5 cm on each side reserved for stretching and mounting onto a stretcher frame.

The canvas is visually bisected into contrasting realms - a soft, vulnerable pink plane colliding with a raw, dark terracotta field. A heavy, geometric black structure cuts through the composition like an ideological clamp, symbolizing the rigid societal codes and totalitarian concepts that seek to constrain the individual. Rather than presenting a conventional figure, the artwork deconstructs the female body into symbolic fragments: a long, organic braid flowing downward and a single leg ending in a sharp red stiletto. This juxtaposition pits archetypal heritage against modern performative tropes, illustrating how identity is compartmentalized under external scrutiny. At the center of the structural enclosure, a hand reaches inward to cradle a vibrant, radiant red sphere. This gesture represents the active preservation of the secret self - an unyielding core of personal integrity that refuses to be suppressed or flattened by outside demands. Embracing the tension of living between cultures, eras, and expectations, the painting rejects the illusion of a forced, uniform identity. Instead, it reframes fragmentation as a natural state, demonstrating that authentic personal beauty exists precisely where one breaks free from the framework.

Lidiia Trokhym, Beyond the imposed framework
Ukraine

Presentation

Born in 1992 in Lviv, Ukraine.
She studied Graphic Design at the Lviv State College of Decorative and Applied Arts named after Ivan Trush (2007–2013, Bachelor’s degree), and at the Lviv National Academy of Arts, Faculty of Graphic Design (2013–2015, Master’s degree; 2015–2018, postgraduate studies).
She has participated in Ukrainian and international art exhibitions, as well as international conferences. She is also the author of publications in academic and popular journals and publications.
She works in graphic and painting techniques. Her works are held in private collections in Spain, German, and the United States.
In 2018, the journal Obrazotvorche Mystetstvo (Fine Arts), Kyiv, No. 2, published an article entitled “Lidiia Trokhym: A Journey into Art”, written by Academician Halyna Stelmashchuk.
NATIONAL AND INTERNATIONAL EXHIBITIONS
2013 — Participated in the international art exhibition “Lviv Autumn Salon”; works: Crowd, Waiting.
2014 (October) — Participated in the international art exhibition “Lviv Autumn Salon”; works: Conversation, Talisman.
2015 — Participated in the international art exhibition “Lviv Autumn Salon”; work: Mother.
2014 (April) — All-Ukrainian exhibition “God’s Day, Like Easter”; work: Pysanka.
2014 (August) — All-Ukrainian exhibition dedicated to Independence Day; work: She.
2014 (November) — Participated in the art exhibition “Lviv through the Eyes of Youth”; two works: My Lviv I, My Lviv II. Awarded a diploma.
2015 (September) — All-Ukrainian art exhibition “Young Inspirations”; work: Come Back Alive, Kyiv.
2015 (December) — All-Ukrainian Christmas Art Exhibition; work: A Strange News III, Kyiv.
2016 (May) — All-Ukrainian art exhibition “Picturesque Ukraine”; work: Cherry-Blossom Ukraine, Sumy.
2016 (November) — International Graphic Art Exhibition held as part of the “Leopolis-2016” Graphic Art Forum, National Museum, Lviv; works: Nature I and Nature II, created using the drypoint technique.
2016 (November–December) — All-Ukrainian art exhibition dedicated to the anniversary celebrations of Ivan Yakovych Franko; work: Crossroads, Ivano-Frankivsk.
2017 (November) — First solo exhibition at the Museum of Ethnography and Arts and Crafts of the Institute of Ethnology of the National Academy of Sciences of Ukraine.
2017, 2018 (December) — All-Ukrainian Christmas Exhibition; work: Carollers, Kyiv.
2018 (September) — Participated in a Poster Biennale on the theme of trust.
 

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