Possession Impression D, 2025
Photography : inkjet, digital, HD print · 30 x 41 x 0.1 cm 11.8 x 16.1 x 0 inch
£395
395 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 47
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 30 copies
30 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
inkjet , digital , HD print on Fine art paper
Dimensions ( cm • inch )
30 x 41 x 0.1 cm 11.8 x 16.1 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Print made by PICTO Bastille, pigment ink on fine art paper
Dimensions:
Image: 33 × 22 cm / Paper: 41 × 30 cm / margin: 4 cm
Presentation
Gabriel Baxas is the director of photography for cinema and television. His work is part of a practice where technical and artistic demands are put to the service of a narrative and a visual creation that serves a story. In each film project, it is a long collaborative process with the director where it is established and where his eye as a photographer occupies a central place. He conceives light, framing, and composition as elements that participate in the construction of a visual identity specific to each film.
Cinema, however, obeys a language and certain visual currents, sometimes repetitive or conventional, often very close physically to the subjects and characters. His photographic practice of the still image thus allows him to take a distance, to extract himself from these automatisms and to rediscover a more personal approach, at once freer and more distant in the gaze directed at the subjects. It is the idea of a posture and a movement of stepping back from the world around us, opening up a space for observation, reflection, and interpretation that is more sensitive and intimate, which obeys no kind of urgency or constraint.
At the heart of his photographic approach is the intention to extract the idea of poetry from his sole literary frame to inscribe it in a broader perception of reality. Seeking to highlight with humor, tenderness, or melancholy, the detail to which, without distance, we would not have paid attention.
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