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Guia DHL
Rodrigo Spinel
Fine Art Drawings - 31.8 x 24.9 x 0.3 cm Fine Art Drawings - 12.5 x 9.8 x 0.1 inch
CHF 1,707
Guia USPS
Rodrigo Spinel
Fine Art Drawings - 31.8 x 24.9 x 0.3 cm Fine Art Drawings - 12.5 x 9.8 x 0.1 inch
CHF 1,707
Guia Fedex
Rodrigo Spinel
Fine Art Drawings - 31.8 x 24.9 x 0.3 cm Fine Art Drawings - 12.5 x 9.8 x 0.1 inch
CHF 1,707
Topology of feelings - II
Vladimir Kolosov
Painting - 40.6 x 30.5 x 1.9 cm Painting - 16 x 12 x 0.75 inch
CHF 560
Formscape no. 45
Lana Matsuyama
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
CHF 1,145
Formscape no. 46
Lana Matsuyama
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
CHF 1,145
Formscape no. 47
Lana Matsuyama
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
CHF 1,145
Ups and downs
Ventzislav Dikov
Painting - 60 x 46 x 2 cm Painting - 23.6 x 18.1 x 0.8 inch
CHF 1,133
What my eyes have seen
Emmanuel Ojebola
Painting - 121.9 x 91.4 x 2.5 cm Painting - 48 x 36 x 1 inch
CHF 4,268
Théorie sur l'évolution : Poisson en baskets 1
Guillaume Nicolaou
Painting - 67 x 71 x 4 cm Painting - 26.4 x 28 x 1.6 inch
CHF 1,442
Walls & Façades Series #8
Lana Matsuyama
Painting - 200 x 100 x 3 cm Painting - 78.7 x 39.4 x 1.2 inch
CHF 1,808
Mind Palace no. 8
Lana Matsuyama
Painting - 49 x 49 x 8 cm Painting - 19.3 x 19.3 x 3.1 inch
CHF 723
Mind Palace no. 9
Lana Matsuyama
Painting - 49 x 49 x 8 cm Painting - 19.3 x 19.3 x 3.1 inch
CHF 723
Élévation au Musée - Corée
Jean-Marc Stoeffler
Photography - 37 x 47 x 1 cm Photography - 14.6 x 18.5 x 0.4 inch
CHF 257
Femme masquée 6
Bruno Fournier
Photography - 80 x 80 x 1 cm Photography - 31.5 x 31.5 x 0.4 inch
CHF 1,648
Les règles de la cohabitation sociale.
Noah Borger
Painting - 50 x 61 x 2 cm Painting - 19.7 x 24 x 0.8 inch
CHF 309
Primavera / Fracture XIV
Greg Bryce
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
CHF 1,153
Prince, Rio De Janeiro 1991
Bob Gruen
Photography - 61 x 50.8 x 5.1 cm Photography - 24 x 20 x 2 inch
CHF 2,846
Abstract no. 122
Anita Kaufmann
Painting - 80 x 200.7 x 2 cm Painting - 31.5 x 79 x 0.8 inch
CHF 1,271
Ocean drops
Alexandra Petropoulou
Painting - 99.8 x 119.9 x 2 cm Painting - 39.3 x 47.2 x 0.8 inch
CHF 1,122
Trilogie - Huitres et coquillages de mer
Alexandra Baudin
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
CHF 2,317
Phare sous la tempête - Paysage marin figuratif
Alexandra Baudin
Painting - 130 x 89 x 2 cm Painting - 51.2 x 35 x 0.8 inch
CHF 4,171
XXXL A beautiful escape
Susan Wooler
Painting - 80 x 119.9 x 4.6 cm Painting - 31.5 x 47.2 x 1.8 inch
CHF 1,183
Premise Beach 8
Robert Langley
Painting - 121.9 x 91.4 x 0.3 cm Painting - 48 x 36 x 0.1 inch
CHF 759
Blue roofs 22
Poonam Choudhary
Painting - 91.4 x 121.9 x 5.1 cm Painting - 36 x 48 x 2 inch
CHF 1,138
Modern Geometric 2
Cátia Goffinet
Painting - 104 x 147 x 0.3 cm Painting - 40.9 x 57.9 x 0.1 inch
CHF 1,751
Minotaure aux tétines
Yohan Storti
Fine Art Drawings - 35 x 25 x 0.1 cm Fine Art Drawings - 13.8 x 9.8 x 0 inch
CHF 433
Hey what's your name?
Le Hai Linh
Painting - 60 x 72 x 1 cm Painting - 23.6 x 28.3 x 0.4 inch
CHF 901
Dieu est un chien (God is a Dog)
Edmond Li Bellefroid
Painting - 46 x 38 x 2 cm Painting - 18.1 x 15 x 0.8 inch
CHF 824
Josep Maria Codina
Josep María Codina
Painting - 20 x 29 x 0.1 cm Painting - 7.9 x 11.4 x 0 inch
CHF 875
Catalyst - Disjointed reality #12
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Orgasmic - Disjointed reality #13
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Contemplative - Disjointed reality #14
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Yourself - Disjointed reality #15
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Whimsy - Disjointed reality #17B
Kris Haas
Painting - 51 x 40 x 0.25 cm Painting - 20.1 x 15.7 x 0.1 inch
CHF 1,287
M - Disjointed reality #17
Kris Haas
Painting - 51 x 40 x 0.25 cm Painting - 20.1 x 15.7 x 0.1 inch
CHF 1,287
Not So - Disjointed reality #16
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Averous - Disjointed reality #10
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Hopeful - Disjointed reality #9
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Madness by night - Disjointed reality #7
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Falling - Disjointed reality #6
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Sensual - Disjointed reality #2
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Complex - Disjointed reality #4
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Arbitrary - Disjointed reality #3
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
CHF 1,802
Improvisations en blanc i negre V
Antoni Tapies
Print - 104.9 x 74.9 x 0 cm Print - 41.3 x 29.5 x 0.01 inch
CHF 3,936
Untitled (Red/White)
JonOne
Painting - 97.8 x 76.2 x 3 cm Painting - 38.5 x 30 x 1.2 inch
CHF 12,357
La fin de la nuit
Sylvie Gedda
Painting - 60 x 60 x 2 cm Painting - 23.6 x 23.6 x 0.8 inch
CHF 2,018
The ride of life
Selene Art
Painting - 99.8 x 69.9 x 3.6 cm Painting - 39.3 x 27.5 x 1.4 inch
CHF 792
Inverno a Burano
Mario Domenicale
Painting - 26 x 36 x 0.2 cm Painting - 10.2 x 14.2 x 0.1 inch
CHF 185
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!