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White Snowfall - 3D, textured, plaster
Nataliia Krykun
Painting - 100 x 80 x 4 cm Painting - 39.4 x 31.5 x 1.6 inch
€2,500
Holiday UK Ceramic Container White
Kaws
Design - 41.9 x 12.7 x 8 cm Design - 16.5 x 5 x 3.1 inch
€2,000
White & blue skin no. 1
Anne Girault Bardaud
Painting - 120 x 80 x 5 cm Painting - 47.2 x 31.5 x 2 inch
€2,650
Cimes et racines / Anémone-Gentiana A
Akira Inumaru
Painting - 130 x 97 x 2 cm Painting - 51.2 x 38.2 x 0.8 inch
€2,800
Le Legacy from Historia de Don Quichotte de la Mancha
Salvador Dali
Print - 75.9 x 56.2 cm Print - 29.88 x 22.13 inch
€2,878
Without Title (Sans Titre)
Emerich Meerson
Painting - 65 x 50 x 2 cm Painting - 25.6 x 19.7 x 0.8 inch
€8,000
Primeras modulaciones 10
Julio Le Parc
Print - 68 x 68 x 0.02 cm Print - 26.8 x 26.8 x 0 inch
€4,000
Cocktail Party II
Alexandre Moore Rockefeller
Painting - 162 x 72 x 0.6 cm Painting - 63.8 x 28.3 x 0.2 inch
€5,100
De tornada al país de la nieve
Francesca Poza
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
€1,030
Je t’ai vu 2
Ghislaine Ferreira
Fine Art Drawings - 41 x 30 x 1 cm Fine Art Drawings - 16.1 x 11.8 x 0.4 inch
€800
Élégance
Ghislaine Ferreira
Fine Art Drawings - 41 x 30 x 1 cm Fine Art Drawings - 16.1 x 11.8 x 0.4 inch
€800
Je suis beau, non?
Ghislaine Ferreira
Fine Art Drawings - 41 x 30 x 1 cm Fine Art Drawings - 16.1 x 11.8 x 0.4 inch
€800
Où suis-je ?
Ghislaine Ferreira
Fine Art Drawings - 41 x 30 x 1 cm Fine Art Drawings - 16.1 x 11.8 x 0.4 inch
€800
Guia DHL
Rodrigo Spinel
Fine Art Drawings - 31.8 x 24.9 x 0.3 cm Fine Art Drawings - 12.5 x 9.8 x 0.1 inch
€1,727
Guia USPS
Rodrigo Spinel
Fine Art Drawings - 31.8 x 24.9 x 0.3 cm Fine Art Drawings - 12.5 x 9.8 x 0.1 inch
€1,727
Guia Fedex
Rodrigo Spinel
Fine Art Drawings - 31.8 x 24.9 x 0.3 cm Fine Art Drawings - 12.5 x 9.8 x 0.1 inch
€1,727
Topology of feelings - II
Vladimir Kolosov
Painting - 40.6 x 30.5 x 1.9 cm Painting - 16 x 12 x 0.75 inch
€566
What my eyes have seen
Emmanuel Ojebola
Painting - 121.9 x 91.4 x 2.5 cm Painting - 48 x 36 x 1 inch
€4,318
Théorie sur l'évolution : Poisson en baskets 1
Guillaume Nicolaou
Painting - 67 x 71 x 4 cm Painting - 26.4 x 28 x 1.6 inch
€1,400
Walls & Façades Series #8
Lana Matsuyama
Painting - 200 x 100 x 3 cm Painting - 78.7 x 39.4 x 1.2 inch
€1,829
Élévation au Musée - Corée
Jean-Marc Stoeffler
Photography - 37 x 47 x 1 cm Photography - 14.6 x 18.5 x 0.4 inch
€250
Les règles de la cohabitation sociale.
Noah Borger
Painting - 50 x 61 x 2 cm Painting - 19.7 x 24 x 0.8 inch
€300
Primavera / Fracture XIV
Greg Bryce
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
€1,120
Prince, Rio De Janeiro 1991
Bob Gruen
Photography - 61 x 50.8 x 5.1 cm Photography - 24 x 20 x 2 inch
€2,878
Trilogie - Huitres et coquillages de mer
Alexandra Baudin
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
€2,250
Phare sous la tempête - Paysage marin figuratif
Alexandra Baudin
Painting - 130 x 89 x 2 cm Painting - 51.2 x 35 x 0.8 inch
€4,050
XXXL A beautiful escape
Susan Wooler
Painting - 80 x 119.9 x 4.6 cm Painting - 31.5 x 47.2 x 1.8 inch
€1,196
Modern Geometric 2
Cátia Goffinet
Painting - 104 x 147 x 0.3 cm Painting - 40.9 x 57.9 x 0.1 inch
€1,700
Minotaure aux tétines
Yohan Storti
Fine Art Drawings - 35 x 25 x 0.1 cm Fine Art Drawings - 13.8 x 9.8 x 0 inch
€420
Dieu est un chien (God is a Dog)
Edmond Li Bellefroid
Painting - 46 x 38 x 2 cm Painting - 18.1 x 15 x 0.8 inch
€800
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!