
Adam and Eve,
2020
Anna Varella
Painting : acrylic
140 x 100 x 2 cm 55.1 x 39.4 x 0.8 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
140 x 100 x 2 cm 55.1 x 39.4 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Cyprus
This vibrant artwork is an enchanting reimagining of the classic motif of Adam and Eve, infused with a lively explosion of color and intricate details. The figures of Adam and Eve are central to the composition, their bodies intertwined with the lush, flowering tree of life. The artist has chosen soft, rounded forms for the characters, imbuing them with a sense of innocence and vulnerability. A kaleidoscope of exotic birds surrounds the couple, each depicted with extraordinary precision. The playful use of peacocks and other vividly colored birds adds a dynamic and almost fantastical atmosphere to the scene. The tree is alive with blossoming roses, their rich pink tones echoing the warmth of the golden background, which brings a sense of divinity and timelessness to the piece. The use of color is both deliberate and striking, creating an ethereal glow that encapsulates the paradisiacal essence of this Edenic portrayal. The artist's treatment of texture and light is masterful, with each leaf and feather rendered in meticulous detail, inviting the viewer into this whimsical paradise. Overall, this artwork is a captivating blend of mythology and nature, brought to life with rich detail and a vivid palette, making it a unique and compelling interpretation of an age-old story.
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Presentation
Anna Varella was born in Moscow in 1971 to a family of engineers.
In 1990 she was accepted at the MHPU (Stroganov Moscow State University of Art and Industry). She studied at the Faculty of Industrial Design for six years and evolved as an artist during those years.
After she graduated, she moved to Cyprus.
'I was painting portraits for the first 15 years of my life on the island. I was also drawing sketches on the street, thousands of them with diverse faces and types, as is a common practice among artists. It was great practice and a valuable experience. At the same time I was ‘seeking to find myself’; I was experimenting with different genres: patchwork, graphics and painting. Only once I was nearing my forties, I discovered my own personal style, technique and theme. I work with acrylic, mainly on wood. I love it for its texture and warmth’.
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