France
• 1977
Biography
Oscillating between sculpture, drawing, scenography and installation, Awena Cozannet anchors her work into the human body and on the human being as well as on their temporality. She uses the material as a language and the body as a material. Some of her sculptures have actually been carried by herself or by others, for the time of photography, or for a public performance.
This approach has brought Awena Cozannet to develop collaborative artistic practices in Bangladesh, in Myanmar or in Pakistan (...) which have deeply influenced her work. Besides, she has substantially broadened her skills through the various projects, the residences and the exhibitions in which she has been involved or that she has been organizing in France and abroad.
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This approach has brought Awena Cozannet to develop collaborative artistic practices in Bangladesh, in Myanmar or in Pakistan (...) which have deeply influenced her work. Besides, she has substantially broadened her skills through the various projects, the residences and the exhibitions in which she has been involved or that she has been organizing in France and abroad.
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