Abstract Artists Working in Earthy Tones

Yellows, browns, reds and blues usually dominate the color palettes of those working with earthy tones. As abstract art shifts away from realism, the early 20th century saw an art movement that relied on using color and shape to portray the subject matter. The expression of the artist finds a home in this movement, conveying emotion or capturing the determination of the artist to capture a moment. If you look closely at the ochres and browns that have come to define earthly tones, the viewer will note tinges of red, blue and yellow. The primary colors are used by abstract artists such as Mondrian to render the two-dimensional and highlight the simplicity of color and shapes. But if you start mixing them, the brown hues (that can border on murky) are found within works by Francoise Dugourd-Caput and Barry Rafuse. Rafuse even notes that his use of often primary and brilliant colors are as a result of being drawn to nature's designs and land form. And as he moves towards the abstraction of these elements, they blend within his works using the power of the two-dimensional to powerfully depict the world around us.

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Abstract Artists Working in Earthy Tones

Le Petit Matin

Ref 1-14 - Viens...

Ref 26-20 - Composition n° 10

REF 72-13 - Composition n° 9

Ref 22-20 - Composition n°3

REF 18-20 - Géométriquement

Ref 17-20 - Le visiteur inconnu

REF 24-12 - Venise en automne

REF 15-20 - Les couleurs plus fortes que le langage

REF 14-20 - Du soleil dans la maison

Ref 8Drip 13 - Retour vers la Préhistoire

REF 34-17 - Nature, trésor inépuisable de couleurs

REF 71-16 - Le petit pont

REF 80-15 - La valse des couleurs

REF 68-15 - Rêveries

REF 42-12 - Un travail de fourmi

REF 3-17 - Chaudes vibrations

REF 50-15 - La Danseuse

REF 17-17 - Un cadeau pour toi

REF 60-16 - Petit village grec

REF 33-17 - Splendeur volcanique

REF 26-19 - Le tourbillon de la vie

AK- 25

N98

N90

REF 12-24 - Composition n° 59

REF 7-24 - Composition n° 56

Ref 5-24 - Composition n° 55

REF 4-24 - Composition n° 54

Ref 3-24 - Acrobaties

REF 2-24 - L'instinct pictural

Réf 22-23 - Composition n° 52

Ref 20-23 - Composition n° 51

Ref 19-23 - Magie des couleurs

Ref 16-23 - Carpe Diem

Réf 12-23 - Améthyste

Réf 11-23 - Effervescence

Réf 63-15 - Vibration des couleurs

REF 32-14 - Jour sans soleil

Ref 3-23 - Composition n° 42

REF 1-23 - Composition n° 40

REF 14-22 - Composition n° 36

Ref 66-16 - Composition n° 34

Ref 47-12 - Energies

Ref 58-15 - Composition n° 26

Ref 1-22 - Composition n° 25

REF 13-21 - Composition n° 21

REF 11-21 - Composition n° 20

Ref 2-18 - Cendrillon

Ref 9-21 - Composition n° 18

REF 13-13 - Composition n° 15

REF 6-21 - Composition n° 14

REF 4-21 - Composition n° 13

REF 3-21 -Composition n° 12

Lune sombre (PM14)

The effectiveness of red n°2

XXL Tranquil Shores

XXXL A beautiful escape

XXL late afternoon sunset

XXL embracing nature

XXXL Morning istm

REF 9-25

REF 3-25 - Profondeurs sous-marines

REF 2-25 - Composition n° 75

REF 30-24 - Vitrail du Moulin à Tan

REF 26-24 - Composition n° 73