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Course finie. Nioulargue. Saint Tropez
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Petit et grand. Grande armada du siècle
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Les ghats de Jodhpur. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,457
La grande Armada du siècle. Rouen. Voile 2
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,458
Fernando Alonso. MacLaren. F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Eddie Irvine. Tunnel de Monaco. F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,458
Alain Prost. Portugal. F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Ayrton Senna. MacLaren F1. Monaco
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,682
Ayrton Senna. Imola. Italie. Dernière concentration avant le drame.
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,683
Jacques Villeneuve. BAR Honda
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Ayrton Senna. Mexique. F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,122 $1,010
Mauricio Gugelmin. Jordan. Monaco. F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Fin de journée sur les tests hivernaux en F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Ronnie Peterson. Tyrell à six roues.
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,571
Eddie Irvine. Autriche. Ferrari. F1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,458
Niki Lauda. MacLaren. F1
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,122 $1,010
Niki Lauda. MacLaren.
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,571
Jarno Trulli. Jordan. Monaco
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,346
Lewis Hamilton. MacLaren. Espagne
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,683
Jacky Ichx. Ferrari
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,683
Kimi Raikkonen. Ferrari
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,458
Moteur... Formule 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,122
Ferrari Formule 1. Irvine
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,122
Les S de la vitesse. Formule 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,346
Zébrure et Formule 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,122
Karl Largerfield soirée Kenzo
Arnaud Baumann
Photography - 16 x 24 x 0.1 cm Photography - 6.3 x 9.4 x 0 inch
$337
Demeter #6
Rani Bruchstein
Photography - 150 x 100 x 2 cm Photography - 59.1 x 39.4 x 0.8 inch
$9,043
In side out #3
Rani Bruchstein
Photography - 150 x 100 x 2 cm Photography - 59.1 x 39.4 x 0.8 inch
$9,043
New York 50
Jean-François Mollière
Photography - 70 x 150 x 1 cm Photography - 27.6 x 59.1 x 0.4 inch
$3,613
Fantasia. Tunisie
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,346
Vaisselle 2
Jean-Robert Franco
Photography - 100 x 50 x 1 cm Photography - 39.4 x 19.7 x 0.4 inch
$2,244
Abstraction, chaise
Jean-Robert Franco
Photography - 100 x 60 x 1 cm Photography - 39.4 x 23.6 x 0.4 inch
$1,683
Etendage marocain.
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,234
Lagune de Venise
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,234
Ayrton Senna Mac Leren Silverstone 92
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,571
Ayrton Senna. Prince de Monaco.
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,683
Composition verticales
Lionel le Jeune
Photography - 45 x 60 x 0.4 cm Photography - 17.7 x 23.6 x 0.2 inch
$954
Fashion is image
Akif Hakan
Photography - 150 x 100 x 3 cm Photography - 59.1 x 39.4 x 1.2 inch
$8,975
Jacques Villeret
Arnaud Baumann
Photography - 20 x 20 x 0.1 cm Photography - 7.9 x 7.9 x 0 inch
$280
San Sebastian
Norman Reedus
Photography - 40.64 x 50.8 x 2 cm Photography - 16 x 20 x 0.8 inch
$2,580
Memory insect 2
Shilpa Joglekar
Photography - 59 x 41 x 0.3 cm Photography - 23.2 x 16.1 x 0.1 inch
$505
Decks - In The Mix
Nick Veasey
Photography - 42 x 93.3 x 2 cm Photography - 16.5 x 36.7 x 0.8 inch
$22,101
Habitat
Lionel le Jeune
Photography - 84.8 x 115 x 0.2 cm Photography - 33.4 x 45.3 x 0.1 inch
$1,010
Free Spirit nº2
Pierre Cherix
Photography - 70 x 50 x 0.2 cm Photography - 27.6 x 19.7 x 0.1 inch
$505
Tropical Space Hostal
Simon Vega
Photography - 51 x 76 x 4 cm Photography - 20.1 x 29.9 x 1.6 inch
$2,468
Watchtower MLT IV
Sven Pfrommer
Photography - 100 x 100 x 2 cm Photography - 39.4 x 39.4 x 0.8 inch
$2,120
Série: Natura facit saltus - bézoard
Edgar Lissel
Photography - 100 x 90 x 0.1 cm Photography - 39.4 x 35.4 x 0 inch
$8,975
Lichtreflex - Transformation
Hein Gravenhorst
Photography - 36 x 29 cm Photography - 14.2 x 11.4 inch
$13,463
David Bowie Aladdin Sane Eyes Closed
Brian Duffy
Photography - 61 x 61 x 0.01 cm Photography - 24 x 24 x 0 inch
$24,121
David Bowie Aladdin Sane Eyes Open
Brian Duffy
Photography - 101 x 101 x 0.01 cm Photography - 39.8 x 39.8 x 0 inch
$11,780
Morning Rise
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,132
You can do what she would want
Joana Choumali
Photography - 50 x 50 x 2 cm Photography - 19.7 x 19.7 x 0.8 inch
$16,828
Le petit banc de bois - 2/5
Sophie Mayeux
Photography - 20 x 20 x 1 cm Photography - 7.9 x 7.9 x 0.4 inch
$202
Mourir d’amour enchaîné - 1/5
Sophie Mayeux
Photography - 20 x 20 x 1 cm Photography - 7.9 x 7.9 x 0.4 inch
$202
Miroir de glace - 1/5
Sophie Mayeux
Photography - 20 x 20 x 1 cm Photography - 7.9 x 7.9 x 0.4 inch
$202
Honore Club, NYC.
Samuel Ryde
Photography - 67 x 47 x 1 cm Photography - 26.4 x 18.5 x 0.4 inch
$458
From grape to stars - Domaine Guigal-La Landonne#1
Patrick Desgraupes
Photography - 100 x 100 x 0.3 cm Photography - 39.4 x 39.4 x 0.1 inch
$17,950
White Daffodil
Michael Filonow
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$365
Frozen Kingdome
Stanislavas Bartnikas
Photography - 60 x 90 x 0.3 cm Photography - 23.6 x 35.4 x 0.1 inch
$7,853
"BoletStranger" - Arboretum de Versailles-Chèvreloup
Vesna BECHA-BOJOVIC
Photography - 14 x 24 x 0.2 cm Photography - 5.5 x 9.4 x 0.1 inch
$101
Les bas fonds
Clara Delaporte
Photography - 60 x 40 x 2 cm Photography - 23.6 x 15.7 x 0.8 inch
$1,122
Comme un cristal...
Jean-Robert Franco
Photography - 80 x 40 x 1 cm Photography - 31.5 x 15.7 x 0.4 inch
$2,805
L'heure du thé en Louisiane
Marick
Photography - 19 x 27 x 1 cm Photography - 7.5 x 10.6 x 0.4 inch
$314
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!