La marchande de poissons, Genève 1814, Circa 1907
Alexandre Cingria

Painting : oil

110.2 x 78 x 1 cm 43.4 x 30.7 x 0.4 inch

$4,977

One of the last works available by this artist

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

110.2 x 78 x 1 cm 43.4 x 30.7 x 0.4 inch Height x Width x Depth

Framing

Golden wood frame

Artwork dimensions including frame

128 x 96 x 3 cm 50.4 x 37.8 x 1.2 inch


Artwork sold in perfect condition

Artwork location: Switzerland


About the seller

Galerie Tonon • Switzerland

Artsper seller since 2019

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Alexandre Cingria, La marchande de poissons, Genève 1814
Switzerland  • 1879

Presentation

Alexandre Cingria, born on March 22, 1879 in Geneva and died on November 8, 1945 in Lausanne, was a painter, decorator, draftsman, art critic and writer from the canton of Vaud.

His father Albert Cingria's family came from Ragusa (today Dubrovnik) and lived in Constantinople, and his mother Caroline Stryjenska (1846-1913), born in Carouge (Geneva), was a painter of French-Polish origin. His younger brother Charles-Albert Cingria (1883-1954) was a writer and musician.

Alexandre Cingria attended the Ecole des Beaux-Arts in Geneva from 1898 to 1900, but was mainly self-taught during his travels abroad, especially in Munich and Paris.

From the beginning of the century, he militated in favor of the renewal of the artistic identity of the French-speaking part of Switzerland. He was the founder of the Saint-Luc and Saint-Maurice group (1919) and the pioneer of the revival of Catholic sacred art in French-speaking Switzerland, where he composed more than 200 stained glass windows for some thirty churches (chapel of the University of Fribourg, etc.). 

His work, influenced by Fauvist painting and Diaghilev's Russian ballets, also benefited from Cubism, understood as a return to the classical tradition. He was one of the founders of the magazine La Voile Latine (1904-1911) and the Cahiers vaudois in 1913.

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