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Blue Yellow (1),
2021
Oliver Cain
Painting : aerosol paint, ceramic
25 x 20 x 2 cm 9.8 x 7.9 x 0.8 inch
$801
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
25 x 20 x 2 cm 9.8 x 7.9 x 0.8 inch Height x Width x Depth
Support
Framing
Sky blue frame with plexiglass
Artwork dimensions including frame
37 x 32 x 3 cm 14.6 x 12.6 x 1.2 inch
Artwork sold in perfect condition
Artwork location: Belgium
The human body, abundantly (re)presented and celebrated in art history, is central to how we understand facets of identity such as gender and sexuality. People alter their bodies and style to align with or rebel against social conventions and to express messages to others around them. In this series of work, Oliver has turned an erogenous zone such as the nipples into pliable and universal material. Even more eye-catching is that every ceramic nipple is different in size and formal set-up: spray-painted in different flashy colors and framed in an old-school wooden frame. Although small in size, their intensely theatrical design remodels the complexities we face around certain parts of our body into a performative, even appreciative act. Intersubjectivity comes into play: the framed nipples are taken up, interpreted, compared or contrasted with viewers library of mental images of the self versus others. As subconscious voyeurists of our own body we explore and perceive our uniqueness while celebrating the delicacy of differentiation.The framed nipple opens the door to a revived discussion on the conventions of beauty and sex(iness) and offers a new vision of the human body: imperfect, irregular, in constant evolution and dissolution but enchanting and remarkable. His fascination with representations of the body make conscious in a visual sense the very relationship between different ways of seeing. But only looking, no touching Oliver said.
About the seller
Professional art gallery • Belgium
Artsper seller since 2024
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Presentation
Oliver Cain (b. 1996, United Kingdom) is an English-born New Zealand-based artist whose work develops and covers a wide range of topics using various materials. His artworks, subverted linguistic paintings, ceramic sculptures, and installations, bear a certain physicality, and push the boundaries between conceptualism and post-pop art.
Cain's creative process is a key element in his practice, resulting in works that can take any form and consistence. Throughout his work, appropriated everyday objects transform stereotypes and famous art historical references are twisted. A proud member of the queer community, Cain uses his work to examine, question, and criticize the relationships between gender, (homo)sexuality and societies'misconceptions surrounding these themes. However, and despite initial appearances, a purely erotic and queer reading of his work is often misguided as a universal profundity is always at play, revealing itself gradually to those willing to look and feel.
Oliver Cain won the Eden Arts Award in 2019 and was a finalist in the Wallace Arts Awards and NZ Contemporary Art Awards (2020/2021). Recent exhibitions include the International Ceramic Biennale of Talavera (Spain); Pātaka Art+Museum (WAA, New Zealand); Copelouzos Family Art Museum as part of the COV—ART Project (Greece); the ART MATTERS 3 online group show at Galerie Biesenbach (Germany); the It's a Boy solo show featuring Billy Apple at Föenander Galleries (New Zealand); and Paint etc. at the Corban Estate Arts Centre (New Zealand).
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