
The Coen Brothers (2001)
Kevin Westenberg
Photography - 61 x 51 cm Photography - 24 x 20.1 inch
€2,100
Photography : silver print
76 x 101 x 0.001 cm 29.9 x 39.8 x 0 inch
One of the last works available by this artist
Free returns within 14 days
Authenticity guaranteed
Learn moreSecure payment
Type
Numbered and limited to 300 copies
1 copy available
Signature
Not Signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
76 x 101 x 0.001 cm 29.9 x 39.8 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: United Kingdom
Russell McPhedran (1936-2018)
Award-winning Australian photojournalist, Russell McPhedran, has passed away due to a heart-related illness.
Russell (right) spent the bulk of his photography career – from 1985 to 2004 – shooting for Associated Press, and leaves behind a portfolio of defining local and international news images.
His most iconic image was captured for the Herald in 1972, and shows a hooded Palestinian terrorist who had taken 12 Israelis hostage at the Munich Olympics.
Russell said his favourite image was of a fire at the Buckingham's department store on Oxford street, captured on Anzac Day 1968. It put his name on the map worldwide, he said, and was the beginning of an illustrious career.
The photographer was inducted into the Australian Media Hall of Fame in November last year.
'Few photographers take a picture powerful enough to enter the permanent consciousness of a nation, let alone become instantly recognisable around the world. Russell McPhedran, or Russ as his mates call him, has a clutch of them,' wrote friend and former colleague, Michael Bowers, for the Hall of Fame.
Russell's famous haunting image showing the faceless terrorist at the Munich Olympics. Photo: Russell McPhedran.
Russell was born in Glasgow in 1936. In 1950 he migrated to Sydney with his family
Two years later a 15-year old Russell landed a job at the Sydney Sun as a copy boy, later graduating to cadet and then press photographer.
'McPhedran spent three years in the darkrooms and was taken under the wing of senior photographers like Johnny Smith and Steve Dunleavy, father of the later famous crime reporter,' wrote Michael. 'He would accompany them on jobs and “watch what they did". McPhedran would borrow cameras after hours to “mess around with" and try to copy what the senior photographers had shown him.
'The first camera issued to young B-grade photographer McPhedran was a Graflex, a bulky large format camera with a between-the-lens shutter. It took sheet film, was cumbersome and difficult to wrangle by modern standards.'
In 1962, Russell spent a year working for the Hong Kong Standard alongside journalist Frank Crook.
After that he went to London, and attempted to land a full-time work at Fleet Street. It was tough to land permanent work, despite having quality references.
But Russell caught a break when he followed up on a rumour that Princess Margaret was water skiing nearby.
Lacking a telepoto lens with his Mamiyaflex twin lens reflex camera, he captured a few ordinary exposures from far away.
However Robert Haswell, the Daily Express royal family photographer, turned up and was surprised to find Russell had nabbed his exclusive.
Russell struck a deal with Robert. For a three-month trial to cover photographers from the Daily Express, Russell would 'fog' his film and provide Robert with the exclusive. Little did Robert know the photos weren't A-grade material.
The three-month trial led to four years of work with the Express.
Those years were 'absolutely fantastic, everything was happening – the Profumo affair with Christine Keeler, the Great Train Robbery, the Beatles, the Kray Brothers,' said Russell.
In 1968 he returned to Australia and Fairfax gave him an offer he couldn't refuse, and then he photographed the Anzac day fire which changed his career. It gave Russell the pull to pick and choose assignments.
The wall of Buckingham's department store collapses during the fire in Oxford Street on Anzac Day 1968. Photo: Russell McPhedran.
'I got all the Olympics, all the Commonwealth Games. I could choose what I wanted to do,' he said, which led him to Munich in 1972.
The photos he captured of the terrorists on the balcony were licensed worldwide, and represents a turning point in history.
Russell went on to capture major newsworthy events, including all the Olympics, the Granville train disaster in 1977, a shirtless Paul Hogan on the Sydney Harbour Bridge in 1976, Bob Hawke and Gough Whitlam knocking back beers n 1975, and the British great train robber and prison escapee Ronald Biggs at a party on 1985 in Brazil.
He left Fairfax in 1985 to work for Associated Press in Sydney.
Russell retired in 2004, with a career spanning over five decades.
Artsper delivers internationally. The list of countries is available in the first step of your cart.
If your country is not listed contact us at [email protected] and we will see what we can do.
Note that Customs fees may apply for works shipped internationally. This is indicated in the first step of the shopping cart.
You can choose a delivery address different from the billing address. Make sure that a trusted person is present to receive the work if you cannot be there.
Have you purchased a painting, sculpture or work on paper?
Find our expert advice for the conservation and promotion of your works in the articles below:
Artsper offers you access to more than 200,000 works of contemporary art from 2,000 partner galleries. Our team of experts carefully selects galleries to guarantee the quality and originality of the works.
You benefit from:
Works at gallery price
Return within 14 days, regardless of your location
Easy resale of the work purchased on Artsper
Personalized research tools (selection and tailor-made universe)
Our customer service is available for any assistance.
At Artsper, our mission is to allow you to collect works of art with complete peace of mind. Discover the protections we offer at every stage of your shopping experience.
We work in close collaboration with carefully selected art galleries. Each seller on Artsper is carefully examined and approved by our team, thus ensuring compliance with our code of ethics. You therefore have the assurance of purchasing authentic, high-quality works.
Before being posted online, all artwork on Artsper is reviewed and validated by our moderation team. You can browse with complete peace of mind, knowing that each piece meets our criteria of excellence.
Our team of contemporary art experts is available by phone or email to answer all your questions. Whether you want advice on a work or a tailor-made selection to enrich your collection, we are here to support you.
If you have purchased a work on Artsper and wish to resell it, we offer you a dedicated platform to relist it. To find out more, click here.
You have the possibility to propose a price for certain works, just like in a gallery. This feature allows you to initiate discussions and potentially acquire your coins at advantageous prices.
Our team will negotiate for you and inform you as soon as the best offer is obtained. Do not hesitate to call on our expertise to ensure a transaction at the best price.
We want you to be completely satisfied with your purchase. If the work you receive is not to your liking, you have 14 days to return it free of charge, and you will be refunded in full, whatever the reason.
All credit card payments are processed by Paybox, the world leader in payment solutions. Thanks to their strict security standards, you can transact with confidence.
In the rare event that an artwork arrives damaged or not as described, we are here to help. Whether for a return, refund, restoration or exchange, our team will support you throughout the process and will ensure that we find the solution best suited to your situation.
Use one of the payment methods available on Artsper for your order.
Report any problems within one week of receiving the work.
Provide required photographic evidence (including original artwork and packaging).
The received work lacks a described characteristic (for example, a signature or frame).
The artwork has significant differences from its description (e.g. color variation).
The work is damaged upon receipt.
The work is lost or damaged by the carrier.
Delivery is significantly delayed.
With Artsper, you collect with complete peace of mind.
Choose your preferences
The art is yours
The art is yours