02h50 - samedi 21 V 2022, 2022
Étienne Jacobée  

Fine Art Drawings : ink, gouache · 28 x 21 cm 11 x 8.3 inch · Ready to hang

CHF 549 549 CHF
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Shipped from: France

Delivery to: Switzerland , CHF 50

Estimated delivery: One to two weeks

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

28 x 21 cm 11 x 8.3 inch Height x Width x Depth

Artwork dimensions including frame

35 x 25.5 cm 13.8 x 10 inch

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Credentials

Vetted seller since 2017 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

Étienne Jacobée’s drawings emerge from a practice that is both instinctive and controlled, where gesture becomes a way of thinking. These works often arise as moments of mental release, a kind of breathing space within the artist’s process. They allow forms to appear freely, through continuous lines and shifting colors that overlap, intertwine, and sometimes build into denser areas.

While his drawings and sculptures develop side by side, they remain distinct. Each explores similar rhythms and energies, but through different means.

The work is framed with anti-reflective, UV70-protective glass, enhancing both clarity and conservation.

Abstract

Minimalism

Colors

Drawing on paper

Lines

brown

Étienne Jacobée, 02h50 - samedi 21 V 2022
France  • 1964

Presentation

Lives and works in Chantilly.
He devoted himself entirely to sculpture in the early 1990s and was quickly noticed by the art world. Having had access since childhood to the worlds of metal and wood through his two grandfathers, Etienne Jacobée chose steel as his primary material. Familiar and expressive, he explores its full potential with freedom — moving from solid to void, from vertical constructions to horizontal stretches, from pure form to improbable assemblages, from smooth to textured surfaces, from strict geometric cuts to stylized welded segments.

In a constant state of exploration, the artist refuses to be confined to a single style — he also works with plaster and wood — yet acknowledges certain artistic lineages: Henri Laurens, Eduardo Chillida, Dominique Labauvie. In a language that remains stripped-down yet diverse, his work can evoke tribal art, the human body, or a poetic resonance. Jacobée’s sculptures invite touch — they are alive. He sometimes coats them with earth, allowing lichens to develop naturally and create unique surface textures. More recently, color has taken on a significant role through the use of paint and pigment.

Since 2019, musicians, composers, filmmakers, art critics, writers, and dancers have been invited into his studio among the sculptures to expand the experience of dialogue and reflection.

His work was featured in ’s 2015 special issue on contemporary sculpture, which also devoted a portrait to him in 2016. Several insightful articles by Emmanuel Daydé have also appeared in in 2016, 2018, and 2021.

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