Flower sur papier 3, 2025
Painting : aerosol paint · 70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch
$465
465 $US
Delivered in time for Christmas
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Shipped from: France
Delivery to: United States , $ 70
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
A hybrid flower emerges from a dark background. The colors saturate the space. The center evokes a pink, fondant, and sweet doughnut. Vertical drips rhythmize the composition. They recall the fresh paint of street art.
The style borrows from comic book codes. The outlines are sharp. The shapes are generous, almost organic. The contrast between the deep black and the acidic hues creates an immediate visual impact.
The artist uses the spray can to explore the themes of consumption. Plastic and sugar become symbols of our time. This piece oscillates between childlike nostalgia and social critique. Nature is reinvented here through an artificial prism.
The technical execution relies on the mastery of stenciling and paint spraying. Fine splatters adorn the background. This paper work, created in 2026, stands out for its graphic precision and pop aesthetic.
Presentation
Born in 1976, Gum is an emerging artist of the French street art scene. An inheritor of the street, he has been evolving along with his sole weapon: spray paint.
Acidulous, "bubble" and playful, plastic is the main focus of his artistic approach and the common thread of his favorite themes: advertisement, consumption, excessive consumption and sex. Just like our Earth is flooded with plastic and waste, his works are as well. While plastic is melting away due to global warning, the world is busy looking elsewhere.
Through the use of stencils, he breathes in life to his characters, with curves or a candy floss which he named Hello clito, Mr Masturbator or Foofoonette plastik, he portrays this in a brilliant manner combining provocativeness along with childish references and a porno-chic universe. He positions his work between innocent joys of childhood and a hate for prefabricated consumerism: a bi-faceted art.
His work has been exhibited several times in Montpellier, his adopted city, but also in Paris, Brussels, Munich, Berlin, Denmark, and Italy as he won during the Biennial of Naples.
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