Blackened 27, 2020
Emanuelle Vittorioso  

Painting : aerosol paint, acrylic · 36 x 36 x 3.5 cm 14.2 x 14.2 x 1.4 inch · Ready to hang

£569 569 £GB
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Shipped from: Italy

Delivery to: United Kingdom , £ 73

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

36 x 36 x 3.5 cm 14.2 x 14.2 x 1.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

The work belongs to the The Blacks series, created in 2016.
After years of research focused on colour, the need arose to reduce painting to its most essential elements. Black and white thus become the absolute protagonists: white as a manifestation of light, openness and presence; black as depth, negation and absorption. Two opposing yet inseparable extremes, each defined by the existence of the other.

The series develops through a language rooted in abstract expressionism, suspended between figurative suggestion and pure gestural energy. Drips, layers, marks and sprayed surfaces evoke the experience of the urban landscape and underground culture, drawing on the visual vocabulary of Post-Graffiti and Urban Art.

Freed from chromatic complexity, the painting focuses on the power of contrast, materiality and movement. The Blacks thus becomes an essential and direct investigation in which black and white are not simply colours, but opposing tensions through which emotion, memory and identity emerge.

Emanuelle Vittorioso, Blackened 27
Italy  • 1977

Presentation

Emanuele Vittorioso was born in Syracuse, Sicily, in 1977. Between 1997 and 2002 he lived and studied in Milan, attending the Brera Academy of Fine Arts, where he specialized in the conservation and restoration of cultural heritage. Alongside his work as a restorer, he progressively developed an independent artistic practice, exhibiting mainly in Italy, France and Spain.

His artistic language has its roots in graffiti culture and in his fascination with Italian abstract painting of the 1950s and 1960s. Over time, these influences have evolved into a personal visual vocabulary in which abstraction, post-graffiti and figurative elements coexist.

Vittorioso's paintings are built through layers of acrylic and spray paint, gestural marks, drippings, chromatic contrasts and overlapping forms. Order and chaos, control and spontaneity constantly confront one another, generating compositions characterized by movement, tension and a strong sense of visual energy.

In his most recent work, the human figure and organic forms have become increasingly present. Anatomical references, skeletal structures and luminous, almost fluorescent colors emerge from abstract backgrounds, creating images suspended between beauty and disquiet, life and death, transformation and rebirth.

His practice explores the fragile boundary between the visible and the hidden, the physical and the psychological, maintaining the instinctive energy of urban culture while moving toward an increasingly introspective and symbolic form of painting.

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