Inbetween Days, 2021
Emanuelle Vittorioso  

Painting : aerosol paint, acrylic · 60 x 60 x 3.5 cm 23.6 x 23.6 x 1.4 inch · Ready to hang

£914 914 £GB

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Shipped from: Italy

Delivery to: United Kingdom , £ 94

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 60 x 3.5 cm 23.6 x 23.6 x 1.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

In "Inbetween Days", painting unfolds as a transitional space, suspended between what has been and what has yet to take shape. Broad brushstrokes, drips, veils and overlapping fields of colour create a dynamic composition, crossed by intense blues, reds, yellows and greens, together with sudden contrasts of black and white.

The title evokes an in-between dimension made of waiting, change and moments that resist clear definition. The painterly gesture becomes the reflection of a constantly shifting state, in which forms and colours seem to emerge, meet and dissolve.

The language of Post-Graffiti and Urban Art emerges through the freedom of the mark, layered surfaces and traces of spray paint and drips. The work moves between control and spontaneity, transforming the surface into a space of transition, energy and memory.

Emanuelle Vittorioso, Inbetween Days
Italy  • 1977

Presentation

Emanuele Vittorioso was born in Syracuse, Sicily, in 1977. Between 1997 and 2002 he lived and studied in Milan, attending the Brera Academy of Fine Arts, where he specialized in the conservation and restoration of cultural heritage. Alongside his work as a restorer, he progressively developed an independent artistic practice, exhibiting mainly in Italy, France and Spain.

His artistic language has its roots in graffiti culture and in his fascination with Italian abstract painting of the 1950s and 1960s. Over time, these influences have evolved into a personal visual vocabulary in which abstraction, post-graffiti and figurative elements coexist.

Vittorioso's paintings are built through layers of acrylic and spray paint, gestural marks, drippings, chromatic contrasts and overlapping forms. Order and chaos, control and spontaneity constantly confront one another, generating compositions characterized by movement, tension and a strong sense of visual energy.

In his most recent work, the human figure and organic forms have become increasingly present. Anatomical references, skeletal structures and luminous, almost fluorescent colors emerge from abstract backgrounds, creating images suspended between beauty and disquiet, life and death, transformation and rebirth.

His practice explores the fragile boundary between the visible and the hidden, the physical and the psychological, maintaining the instinctive energy of urban culture while moving toward an increasingly introspective and symbolic form of painting.

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