A2623, 2026
Thierry Benzaid  

Painting : acrylic · 30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch · Ready to hang

CHF 288 288 CHF
Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 35

Estimated delivery: Less than one week

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Invoice from the artist Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

31 x 31 x 3 cm 12.2 x 12.2 x 1.2 inch

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description
Acrylic on canvas stretched on a framed frame.

This acrylic painting explores the boundary between abstraction and the marine landscape. The composition is organized around superimposed blocks of color and dense textures. A chalky white dominates the center, contrasting with segments of ochre and horizon blue.
The gesture is direct. Layers of paint accumulate to create a tactile relief. Touches of black anchor the scene, suggesting urban structures or rocks facing the sea.
The approach resembles raw art in its spontaneity and controlled roughness. The eye moves between the luminous areas and the dark areas. This visual tension guides the observer toward a personal interpretation of the coastline.
The final rendering prioritizes matter over form. Each brushstroke emphasizes a search for pigment density. The artist's signature appears discreetly in the bottom right, dated 2026.

Abstract

Art brut

Seascape

Composition

Colors

Semi-abstract

White

Sky blue

Thierry Benzaid, A2623
France  • 1962

Presentation

(a.o.t.) is a Copenhagen-based concept design studio. With an insatiable curiosity, (a.o.t.) strives to prioritize contemporary relevance and storytelling in the things they produce - ranging from collections to unique pieces. They engender productions that do not hide behind their own utilitarianism and want them to be more than temporary supernumeraries in our lives - in order to challenge our perception of things. Both fascinated and frustrated by the history of manufacturing and production, they seek to learn, unlearn, rethink and challenge conventional ways of doing things. That's why their manufacturing process always starts with what our own hands can do. Reconfiguring the default way of thinking about things down to handmade processes. This ensures our versatility to an ever-changing contemporaneity. In an attempt to further challenge this way of thinking, they intend to create encoded productions with a contemporary presence through storytelling that goes beyond the thing itself - material curiosity, experimental contextualization or simply relevant things of the present. It means creating a closer relationship with the owner.

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