Cailloux 3, 2025
Painting : wax · 40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch
$653
653 $US
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Shipped from: France
Delivery to: United States , $ 111
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The space is divided here into two contrasting zones. An opaque white dominates the upper part, worked with a thick material. The surface presents tactile reliefs. A solitary red dot punctuates this luminous void.
At the bottom, a deep black anchors the composition. Two mineral forms seem to float at the border of these two worlds. The artist uses wax to sculpt the paint. This process brings physical density to the forms. The work is situated between pure abstraction and suggestion.
The repetition of elements guides the gaze. It questions our perception of reality and time. The alternation between the fluidity of the acrylic and the rigidity of the wax creates a play of textures. This 2025 work explores the tension between full and empty. Each detail reveals a research into the stratification of matter. The radical chromatic contrast emphasizes the simplicity of organic forms.
Presentation
Astrid CHHOA's practice has progressively structured itself around a central axis: repetition.
It allows to question the notions of timelessness, transformation, and perception, reveals gaps, variations, and displacements.
Each occurrence, although similar, is inscribed in a dynamic of accumulation that modifies its perception.
Her work thus aims to highlight the capacity of the repetitive to generate difference, to open up spaces for interpretation, and to bring forth multiple realities.
This research is part of a broader reflection on our relationship to reality: what we perceive is never fixed, but always in becoming.
Astrid CHHOA after experimenting with several mediums (watercolor, oil...), currently favors acrylic and wax.
Wax allows her to explore a slow and physical relationship to matter, close to sculptural work, where superposition and transformation play a major role.
Conversely, acrylic offers greater immediacy in gesture, allowing to alternate between speed, transparency, and stratification.
Her work unfolds between abstraction and suggested forms, without prior formal constraint.
Each series constitutes an autonomous field of experimentation, guided by the same question
How does repetition transform our perception of reality?
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