Les boeufs, 1980
José Antonio Da Silva  

Painting : oil · 40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch · Ready to hang

€7,500 7 500 €

One of the last works available by this artist

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Shipped from: Brazil

Delivery to: Germany , € 449

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

48 x 58 x 4 cm 18.9 x 22.8 x 1.6 inch

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Description

Bold brushstrokes create a sense of rhythmic movement, tipical from the Braziliean artist José Antonio da Silva.  Within this landscape, a group of livestock rests. Some appear in golden yellow tones. Others are painted in soft pink hues. Their forms are simplified and primal. Large eyes gaze toward the viewer with silent curiosity. The compositions feel instinctive and raw. Heavy outlines define each animal against the lush vegetation. The palette is vibrant and unapologetic. It captures a moment of rural stillness. The execution favors emotion over anatomical precision. This artwork explores the harmony between nature and beast. The application of paint is thick and tactile. The focus remains on the tactile quality of the paint and the intensity of the colors.

José Antonio Da Silva, Les boeufs
Brazil  • 1909  - 1996

Presentation

José Antonio da Silva

1909 – Salles de Oliveira, SP.

1996 – São Paulo, SP.

Painter, singer, sculptor, writer, and scenographer. In the early 1940s, José Antonio moved to São José do Rio Preto. In 1948, he held his first solo exhibition at Galeria Domus in São Paulo, where he was enthusiastically received by the high society of São Paulo and acclaimed by the critics as a true discovery, as an artist “with an extraordinary sense of colour and intuitive knowledge of the essential secrets of composition". He was selected to participate in the Bienal de São Paulo of 1951, 1953, 1955, 1961, 1963, 1965, 1967 and 1987, and the Bienal de la Havana in 1954 and the Biennale di Venezia in 1966. 

Considered the Brazilian Naïve painter of greater repercussion, Silva held numerous exhibitions, including the great retrospective held at the Museu de Arte Contemporânea de São Paulo in 1989, and the solo exhibition held at the Paço das Artes, also in São Paulo, in 1992 – which was publicized with a placard that reproduced a painting by José Antonio which depicted [the Three Greatest Painters of the World], where he is portrayed in slightly larger scale, standing in between Picasso and Van Gogh. 

Another remarkable event, albeit posthumous, was the great retrospective exhibition held at the Pinacoteca do Estado de São Paulo, which included a digital catalogue and a impressive publication devoted to his life and work which were produced and edited for the occasion, two years after his death. “An uncommon artist, who dealt with the living theme of the  [one of the four sub-regions of the northeast of Brazil, distinctive for its very dry climate and arid backlands] and the vibrant language of colours within a gestural and sometimes brutal technique which nevertheless always remained sensitive and eloquent", wrote art critic Luiz Ernesto Kawall.

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