Rembrandt, 2026
Isabelle Waterlot  

Painting : pastel · 40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch · Ready to hang

CHF 1,050 1 050 CHF
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Shipped from: France

Delivery to: Switzerland , CHF 116

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

50 x 40 x 4 cm 19.7 x 15.7 x 1.6 inch

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Description
The portrait is revealed through precise pastel work. The gaze, deep and melancholic, immediately captures the viewer's attention. The light sculpts the features of the face with academic accuracy.
The chromatic contrast structures the composition. A dark, dense red envelops the character, bringing a theatrical warmth to the whole. The background, treated in shades of olive green, creates a sober frame that emphasizes the subject's presence.
The touch is intentionally textured. The grain of the paper shows through the pigments, adding a tactile dimension to the image. The white of the headwear brings an essential point of light, balancing the overall composition.
This painting, made in 2026, testifies to rigorous technical mastery. The rendering of materials, between the softness of the fabric and the roughness of the features, reveals an attentive observation of human beings. The balance of neutral tones and saturated colors confers timeless dignity to this face.

Portrait

Colors

Rembrandt

Green

Pink

Isabelle Waterlot, Rembrandt
Switzerland  • 1952

Presentation

Born on December 14, 1952 in Meyriez, in the canton of Fribourg in Switzerland, Isabelle Waterlot showed a particular sensitivity for drawing and creation from childhood. Very early noticed by her teachers, her artistic inclinations naturally guided her towards training dedicated to the arts.

She joined the Decorative Arts of Geneva, first in preparatory class, before joining the Decorative Painting section. For three years, she passionately developed her mastery of many disciplines and techniques: painting, academic drawing, pictorial arts, mosaic, or photography.

Driven by a true thirst for learning and desiring to expand her field of expression further, she then continued her path at the Beaux-Arts of Geneva, which she joined after successfully passing an examination.

It was particularly there that she discovered a new passion: engraving, which would become the central subject of her degree. Isabelle Waterlot then explored different techniques—wood engraving and copper engraving, etching, or intaglio—and progressively perfected her artistic language under her masters.

Her family life then led her to temporarily put her personal practice on the back burner. However, she never truly distanced herself from art and gradually resumed her tools to create reproductions and private commissions.

This artistic renaissance gave birth to another desire in her: to transmit.

In 2001, she realized this ambition by creating the Académie du Gros-de-Vaud in Échallens, a school intended to share her experience, her techniques, and her passion. She taught there until 2023, then continued this transmission at the college of Poliez-le-Grand.

In parallel with teaching, Isabelle Waterlot develops her own artistic universe. Settled in Poliez-le-Grand, she draws much of her inspiration today from the landscapes and the atmosphere of the countryside surrounding her, but also from the discoveries and emotions reported from her many travels.

Her journey thus testifies to a relationship with art built over time, where academic training, technical mastery, personal experience, and transmission converge in the service of a practice deeply nourished by observation and experience.

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