Gamins en ligne - Diptyque, 2026
Painting : acrylic, sand · 52 x 120 x 2 cm 20.5 x 47.2 x 0.8 inch · Ready to hang
€780
780 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 95
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
52 x 120 x 2 cm 20.5 x 47.2 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
The gaze overlooks a minimalist space. A clean, straight white line divides the composition into two symmetrical zones. On this textured beige background, miniature silhouettes move with graphic simplicity.
The stylized and colored characters seem to walk in a suspended void. Each figure casts a dark, elongated shadow. This contrast marks the space and emphasizes the solitude of each individual in the face of the plan's immensity.
The arrangement creates a precise visual rhythm. The characters are organized in opposite diagonals, suggesting a perpetual movement or an invisible passage. The absence of scenery accentuates the purity of the scene.
The work on light brings an architectural dimension to the whole. One observes a precision in the placement of shadows that anchors the bodies in this abstract environment. The color palette remains deliberately sober to allow for dialogue between forms and emptiness.
The rendering recalls human fragility in the face of space. The technical execution relies on the sobriety of the line and the balance of masses. The composition ends with the rigorous alignment of the silhouettes on a grainy background.
The stylized and colored characters seem to walk in a suspended void. Each figure casts a dark, elongated shadow. This contrast marks the space and emphasizes the solitude of each individual in the face of the plan's immensity.
The arrangement creates a precise visual rhythm. The characters are organized in opposite diagonals, suggesting a perpetual movement or an invisible passage. The absence of scenery accentuates the purity of the scene.
The work on light brings an architectural dimension to the whole. One observes a precision in the placement of shadows that anchors the bodies in this abstract environment. The color palette remains deliberately sober to allow for dialogue between forms and emptiness.
The rendering recalls human fragility in the face of space. The technical execution relies on the sobriety of the line and the balance of masses. The composition ends with the rigorous alignment of the silhouettes on a grainy background.
Presentation
Born in Barcelona in 1966, Marcos Zrihen is a Spanish painter. As a teenager, he went to an exhibition of expressionist artist Edvard Munch, it was after this visit that he becae passionate about painting. He studied Fine Arts for three years, and then gave up his studies to finish his training by himself.
From the beginning, Marcos Zrihen's artistic reflection revolves around the place of man in his environment, in particular in the urban environment. Today his work turns around the emptiness and loneliness of big spaces. Whether in cities or by the sea, the lanscapes protray by the artist are always vast, populated by small characters whose stretched shadows reflect the misguidance. Two recent trips to the Sinai Desert and to the Australian Plains led the artist to use these spaces in his canvases, depicting men, nature, light, silence, loneliness, worry as well. Seizing the dynamism of life, Marcos Zrihen's canvases propose us a quest for freedom.
From the beginning, Marcos Zrihen's artistic reflection revolves around the place of man in his environment, in particular in the urban environment. Today his work turns around the emptiness and loneliness of big spaces. Whether in cities or by the sea, the lanscapes protray by the artist are always vast, populated by small characters whose stretched shadows reflect the misguidance. Two recent trips to the Sinai Desert and to the Australian Plains led the artist to use these spaces in his canvases, depicting men, nature, light, silence, loneliness, worry as well. Seizing the dynamism of life, Marcos Zrihen's canvases propose us a quest for freedom.
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