Abyssinie, 2020
Print : paper · 40 x 60 x 0.1 cm 15.7 x 23.6 x 0 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 94
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 10 copies
8 copies available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
40 x 60 x 0.1 cm 15.7 x 23.6 x 0 inch Height x Width x Depth
Artwork dimensions including frame
50 x 70 x 1.5 cm 19.7 x 27.6 x 0.6 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
Art is a vector of emotions, therefore a universal language. Listening to artists who touch me and trying to speak this language helps me to live. For me, it's my opium, my absinthe and my religion, it's my only addiction. For fifty years, seeing something unknown appear on my white sheet every day has been the greatest adventure, constantly renewed. Much bigger than the most extraordinary trip around the world.
Art is as essential to me as breathing.
In short, Art makes me feel "more" alive.
Presentation
Antonio MOLINA proposes a particular variation of the "reclining figure", a female nude, a theme that Antonio MOLINA has been exploring tirelessly for years. This classic theme has been successfully treated by the greatest: Picasso, Miro, Moore, Laurens,... but, isn't it said that one can only advance by standing on the shoulders of giants?
Antonio MOLINA experiments with all the possibilities of the stylization of organic forms by inventing new combinations, but keeps the taste of the representation of human features, even if sometimes this link is tenuous, and can go until the rupture. It is the edge of the razor, that falls very quickly on the bad side, but it is the risk of the creation. This path towards the limit of human representation is influenced by primitivism and biomorphism and refers directly to the primitive arts, to African or Mexican art. Antonio MOLINA remains fascinated by the art of the Cyclades or the archaic goddesses.
Antonio MOLINA Sculptor; his compositions in volume are the fruit of a long preparatory work. At first, he realizes tens of drawings until the maturation and which are used as model. that enables him to apprehend the form under all the angles.
Often the objective of the sculpture is forgotten along the way.
These researches end up becoming finished works themselves.
Antonio MOLINA is the delighted victim of what happens on paper.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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