Radiant Baby, Hand Signed Giclée with Screen Printed Varnish, 42/99, Framed, 2023
Nick Smith  

Print : Screen Print, giclée · 51.4 x 78.1 x 0.3 cm 20.25 x 30.75 x 0.1 inch · Ready to hang

€2,089 2 089 €

One of the last works available by this artist

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Shipping & delivery

Shipped from: United States

Delivery to: Germany , € 279

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 99 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

51.4 x 78.1 x 0.3 cm 20.25 x 30.75 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

76.2 x 88.9 x 2.5 cm 30 x 35 x 1 inch

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Credentials

Vetted seller since 2024 • Top Seller

Description

Giclee with screen printed varnish on Canson Rag Photographique 310gsm paper. Hand signed and dated lower right by Nick Smith. Hand numbered 42/99 lower left.  

All reasonable offers will be considered.

Pop Art

Art History

Keith Haring

Sky blue

Red

Nick Smith, Radiant Baby, Hand Signed Giclée with Screen Printed Varnish, 42/99, Framed

Nick Smith

United Kingdom

Presentation

On first sight, artworks made by Nick Smith might appear just like random color chips stitched together to produce incoherent abstract images. However, if you move a few steps back, you will recognize the classic paintings in 8-bit form. Using Pantone swatch cutouts, the Glasgow-born artist recreated some of the most iconic works of art to date including Munch's impressionist piece The Scream, Warhol's portraits of Marilyn Monroe, Vermeer's Girl with The Pearl Earring, and Da Vinci's Mona Lisa, among others. As his work developed, Smith has expanded the range of subjects.

Smith makes his pieces by visually breaking down an image and then reconstructing it with a clever use of the humble Pantone swatch.He was intrigued by the possibility of the human brain and eye to identify the picture even when they don't have all the information but only the traces of the image. Inspired by the days when most people had dial-up Internet connections, and the media files you wanted to receive required a lot of time loading images pixel by pixel, he decided to devote his career to posing challenges to the overwhelming digitalization of all spheres of human life – including art. Smith uses the cards of the famous Pantone swatches to produce paintings that look like they have been heavily pixilated though you can still recognize most of the paintings through the distortion. Subtle variations in tone suggest the highlights and shadows, whilst making a stark commentary on the unforgiving culture of modern digitalization.

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