I'm Fine, 2026
Print : Screen Print · 76 x 56 cm 29.9 x 22 inch
CHF 3,053
3 053 CHF
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Shipped from: Germany
Delivery to: Switzerland , CHF 78
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 125 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
76 x 56 cm 29.9 x 22 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
A stark contrast of mood and imagery defines this screen print. A dark blue figure emerges against a void of white. The form is simple. The expression is serene. A gentle smile suggests a deceptive calm.
Above the head sits a lit fuse. A spark of yellow and orange signals an imminent explosion. This tension creates a powerful visual irony. The figure represents a fragile stability on the verge of collapse.
The handwritten red text adds a layer of biting sarcasm. It mocks the social conventions of polite conversation. The phrasing masks inner turmoil with a casual greeting. This juxtaposition is a hallmark of the creator's absurdist approach.
The aesthetic is intentionally naive. Bold brushstrokes give the artwork a raw, immediate quality. It bridges the gap between high art and graphic satire. The piece serves as a poignant commentary on modern anxiety and the performance of wellness.
This 2026 piece utilizes a limited palette to maximize emotional impact. Deep indigo dominates the composition. A single flash of brightness marks the point of combustion.
Presentation
David Shrigley, born on September 17, 1968, in Macclesfield, is a British visual artist known for his distinctive graphic style and absurdist humor. A graduate in Environmental Art from the Glasgow School of Art in 1991, he lived in Glasgow for 27 years before relocating to Brighton and Devon in 2015.
His work, characterized by intentionally naïve line drawings accompanied by ironic text, offers a sharp and humorous commentary on the absurdities of everyday life. Although drawing is central to his practice, Shrigley also works with sculpture, animation, photography, music, and installations. Among his notable projects are the monumental sculpture Really Good (2016), installed on the Fourth Plinth in Trafalgar Square, London, and the exhibition Pulped Fiction (2023), in which he pulped 6,000 copies of The Da Vinci Code to reprint George Orwell's 1984.
Shrigley was nominated for the Turner Prize in 2013 and was appointed Officer of the Order of the British Empire (OBE) in 2020 for his services to visual arts. He also received an honorary doctorate from De Montfort University in 2014. His work has been exhibited in prestigious institutions such as the Hayward Gallery in London (Brain Activity, 2012), the National Gallery of Victoria in Melbourne (Life and Life Drawing, 2014), and the Rose Art Museum in the United States (Life Model II, 2016).
Dedicated to promoting arts education, Shrigley unveiled a giant animatronic praying mantis sculpture, Mantis Muse, at his former school in Oadby in 2024 to highlight the importance of including the arts in school curricula. He advocates for transforming the STEM acronym into STEAM, incorporating the arts alongside science, technology, engineering, and mathematics.
His publications include Worried Noodles, a collection of texts set to music by various artists, and What the Hell Are You Doing?, a compilation of his most iconic works. Shrigley continues to shape contemporary art with his unique approach, blending dark humor and social critique.
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