Four Marks on a White Ground, 2014
Print : lithography · 99.5 x 69.5 cm 39.2 x 27.4 inch
CHF 459
459 CHF
One of the last works available by this artist
Shipping & delivery
Shipped from: Spain
Delivery to: Switzerland , CHF 55
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 75 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
99.5 x 69.5 cm 39.2 x 27.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
A large lithograph, 99.5 × 69.5 cm, printed in an edition of 75 at Taller del Prado, in which the entire composition consists of four marks and the white field that holds them. Brinkmann, German-born and resident in Málaga since the 1950s, has spent decades reducing painting to the encounter between gesture and support. At this scale the isolation of each mark becomes the subject, and the interval between them carries as much weight as the ink itself.
Presentation
Enrique Brinkmann is a Spanish artist born 1938 in the same building where Pablo Picasso was born half a century earlier. Not so famous in France yet, he is considered as one of the greatest Spanish contemporary artist and one of the most originals.
A self taught painter and writer, in 1950 he started developing a singular and changing practice, mixing poetry of forms and abstraction of colors, between figuration and non-figuration. A painter of bodies and faces, he captivates with his fantastic bestiary and creates an spectacular synthesis of the Expressionism of the early century, surrealism and postmodern abstract research.
His work has been exhibited in some of the bigggest cities of Europe as well as in the group exhibition called "Spanish Art Tomorrrow" presented in New York and Washington in the beginning of the 80s.
A self taught painter and writer, in 1950 he started developing a singular and changing practice, mixing poetry of forms and abstraction of colors, between figuration and non-figuration. A painter of bodies and faces, he captivates with his fantastic bestiary and creates an spectacular synthesis of the Expressionism of the early century, surrealism and postmodern abstract research.
His work has been exhibited in some of the bigggest cities of Europe as well as in the group exhibition called "Spanish Art Tomorrrow" presented in New York and Washington in the beginning of the 80s.
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