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El origen de la niebla (3), 2019
Cristina de Middel   Famous Artists

Print : lithography · 50 x 53.5 cm 19.7 x 21.1 inch

€400 400 €
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Shipped from: Spain

Delivery to: Germany , € 48

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 30 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 53.5 cm 19.7 x 21.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

El origen de la niebla (3), a colour lithograph of 2019 by Cristina de Middel (Alicante, born 1975), on a sheet of 50 by 53.5 cm, in an edition of thirty. It belongs with sheet (6) of the same group, year, dimensions and edition size held here, indicating a sequence of at least six. De Middel came to international attention with The Afronauts of 2012, which reconstructed Zambia's short-lived space programme of the nineteen-sixties in staged photographs, establishing the method that has defined her work: images that adopt the appearance of documentary while being openly constructed. She joined Magnum Photos in 2017 and has been its president since 2022. The title, the origin of the fog, is characteristically suggestive rather than descriptive. The small edition of thirty is notable.

Landscape

Conceptual

Fog

Mist

Spain

Landscape

Postmodernism

Sky blue

Green

Cristina de Middel, El origen de la niebla (3)
Spain  • 1975

Presentation

Cristina de Middel (born 1975 in Alicante, Spain) is a photographer and artist whose work investigates photography's ambiguous relationship to truth. She studied photography at the University of Oklahoma, holds a degree in Fine Arts from Valencia and completed postgraduate studies in photojournalism in Barcelona. After a ten-year career as a photojournalist, she stepped outside the documentary gaze and created "The Afronauts" (2012), a self-published photobook that revisits the failed Zambian space programme of the 1960s through staged reconstructions. The project brought her international recognition, including a nomination for the Deutsche Börse Photography Prize and the Infinity Award from the International Center of Photography in 2013. Her later series include "Party", "This Is What Hatred Did", "Sharkification", "Jan Mayen" and "Gentlemen's Club", a long-term project on the male clients of sex work. In 2015 she founded her own publishing house, This Book Is True. She has also produced several limited editions with Taller del Prado. A member of Magnum Photos, she has published more than a dozen books, has exhibited widely around the world, and lives and works between Spain, Mexico and Brazil.

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