Black and white
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La Tortue de Kerlouan
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Arbres calcinés du champ de bataille 14-18
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Tranchées de Beaumont-Hamel 14-18
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Tour d'Ulster - Guerre 14-18
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Mémorial Australien de Villers-Bretonneux
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Mémorial Franco-Britannique de Thiepval 14-18 (1) (1)
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Cimetière Britannique de Contay 14-18
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$180
Lionel joue à Bacchus dans les vignes
Pierre Boulat
Photography - 24 x 36 x 0.3 cm Photography - 9.4 x 14.2 x 0.1 inch
$729
Evan Dando Lemonheads
Kevin Westenberg
Photography - 51 x 40 cm Photography - 20.1 x 15.7 inch
$1,986
Paris Cathédrale Notre Dame de Paris 5
Bruno Fournier
Photography - 18 x 24 x 1 cm Photography - 7.1 x 9.4 x 0.4 inch
$898
Liz Pringle Refreshments in Jamaica
Slim Aarons
Photography - 41 x 41 x 0.01 cm Photography - 16.1 x 16.1 x 0 inch
$2,188
Jean Patchett for Saks Fifth Avenue
Slim Aarons
Photography - 41 x 41 x 0.01 cm Photography - 16.1 x 16.1 x 0 inch
$2,188
Seaplane At Palm Beach
Slim Aarons
Photography - 41 x 41 x 0.01 cm Photography - 16.1 x 16.1 x 0 inch
$2,188
Rue Mouffetard - Triptych
Uwe Ommer
Photography - 45 x 100 x 0.3 cm Photography - 17.71 x 39.37 x 0.1 inch
$1,650
Himba mother and child
Faie Davis
Photography - 113.6 x 81.6 x 0.25 cm Photography - 44.7 x 32.1 x 0.1 inch
$1,500
The school kids nº1
Frederic Pasquini
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$623
Elan
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,939
Le kiosque à journaux de New York
Pierre Boulat
Photography - 28 x 28 x 0.3 cm Photography - 11 x 11 x 0.1 inch
$729
Architectural Extract N.20 - Archi-Lines Series
Anna Levesh
Photography - 90 x 120 cm Photography - 35.4 x 47.2 inch
$1,111
Extrait poussière des sens F_S
Feng Kaixuan
Painting - 50 x 50 x 1 cm Painting - 19.7 x 19.7 x 0.4 inch
$2,244
Panda (Série Passages)
Michel Audiard
Sculpture - 38 x 52 x 8 cm Sculpture - 15 x 20.5 x 3.1 inch
$1,683
Encre #1
Timothy Archer
Fine Art Drawings - 28 x 21 x 0.1 cm Fine Art Drawings - 11 x 8.3 x 0 inch
$954
Kinetic
Amrita Bilimoria
Photography - 75.2 x 114.3 x 0.5 cm Photography - 29.6 x 45 x 0.2 inch
$3,000
Vamos a Bailar, Polo Miniature
Amrita Bilimoria
Photography - 27.9 x 25.7 x 0.5 cm Photography - 11 x 10.1 x 0.2 inch
$1,100
High Voltage, Polo Miniature
Amrita Bilimoria
Photography - 27.9 x 28.7 x 0.5 cm Photography - 11 x 11.3 x 0.2 inch
$1,200
Olivia
Amrita Bilimoria
Photography - 45.7 x 30.7 x 0.5 cm Photography - 18 x 12.1 x 0.2 inch
$1,600
Venise, San Giorgio
Olivier Perrin
Photography - 30 x 60 x 0.2 cm Photography - 11.8 x 23.6 x 0.1 inch
$841
New York Debutante
Slim Aarons
Photography - 51 x 41 x 0.01 cm Photography - 20.1 x 16.1 x 0 inch
$2,199
Bosque Chingaza, Pigment Prints
Miguel Winograd
Photography - 47 x 47 x 0.3 cm Photography - 18.5 x 18.5 x 0.1 inch
$900
Practice What You Preach
Damien Deroubaix
Print - 70 x 85 x 0.1 cm Print - 27.6 x 33.5 x 0 inch
$785
1915 Nuages et tempête Tempest and clouds
Eugène Druet
Photography - 43 x 54 cm Photography - 16.9 x 21.3 inch
$2,188
Cinematography inspired session #28
Grzegorz Sikorski
Photography - 45 x 60 x 0.1 cm Photography - 17.7 x 23.6 x 0 inch
$213
Cinematography inspired Session #24
Grzegorz Sikorski
Photography - 60 x 45 x 0.1 cm Photography - 23.6 x 17.7 x 0 inch
$213
Marisa French Vogue Studios 1970
Anthony Horth
Photography - 30 x 25 x 0.2 cm Photography - 11.8 x 9.8 x 0.1 inch
$1,200
Asphodel
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,939
Cinematography inspired sessions #1
Grzegorz Sikorski
Photography - 60 x 45 x 0.1 cm Photography - 23.6 x 17.7 x 0 inch
$269
Où est Charlie ? III
Tanguy Mendrisse
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
$140
Gare de Porto [Femme à la pastèque sur le quai], Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$337
Photographes de playa, Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$337
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!