Human body
Save your search and find it in your favorites
Saved search
Your search is accessible from the favorites tab > My favorite searches
Unsaved search
A problem occurred
Tall Woman On Short Canvas
Andrea Vandoni
Painting - 60 x 120 x 4 cm Painting - 23.6 x 47.2 x 1.6 inch
€3,100
Série des Forêts No°5
Jean-Marc Teillon
Painting - 116 x 81 x 4 cm Painting - 45.7 x 31.9 x 1.6 inch
€2,500
(Un)happy Family
Matteo Nannini
Painting - 100 x 150 x 3 cm Painting - 39.4 x 59.1 x 1.2 inch
€5,500
Fracture Surface No.1
Funing Xia
Fine Art Drawings - 38 x 50 x 0.1 cm Fine Art Drawings - 15 x 19.7 x 0 inch
€5,100
Les couleurs de l'été
Lisbeth Buonanno
Painting - 15 x 10 x 1 cm Painting - 5.9 x 3.9 x 0.4 inch
€400 €360
Onemizer's Vanity
Onemizer
Painting - 130 x 89 x 2 cm Painting - 51.2 x 35 x 0.8 inch
Price upon request
L'homme est en mère
Hélène Legrand
Painting - 100 x 50 x 2 cm Painting - 39.4 x 19.7 x 0.8 inch
€3,600
Poussières d'étoiles 04
Théo Le Franc
Painting - 81 x 65 x 2 cm Painting - 31.9 x 25.6 x 0.8 inch
€750
Poussières d'étoiles 02
Théo Le Franc
Painting - 73 x 54 x 2 cm Painting - 28.7 x 21.3 x 0.8 inch
€700
Poussières d'étoiles 03
Théo Le Franc
Painting - 116 x 73 x 2 cm Painting - 45.7 x 28.7 x 0.8 inch
€1,100
Poussières d'étoiles 01
Théo Le Franc
Painting - 60 x 73 x 2 cm Painting - 23.6 x 28.7 x 0.8 inch
€730
Dissolution I
Elizabeth Hefty-Khoury
Painting - 122 x 48 x 2 cm Painting - 48 x 18.9 x 0.8 inch
€1,360
Heart Of Fire (Lightbox)
David Drebin
Photography - 101.6 x 172.7 cm Photography - 40 x 68 inch
€34,818
Glorious Danger (Lightbox)
David Drebin
Photography - 152.4 x 101.6 cm Photography - 60 x 40 inch
€34,818
A peaceful place
Alexandru Radvan
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
€2,500
A strong man – Uncle II
Dzovig Arnelian
Painting - 275 x 100 x 1 cm Painting - 108.3 x 39.4 x 0.4 inch
€987
A strong man – Uncle I
Dzovig Arnelian
Painting - 270 x 100 x 1 cm Painting - 106.3 x 39.4 x 0.4 inch
€987
A contemplating Soldier
Dzovig Arnelian
Painting - 292 x 98 x 1 cm Painting - 115 x 38.6 x 0.4 inch
€987
A strong man – Uncle III
Dzovig Arnelian
Painting - 280 x 85 x 1 cm Painting - 110.2 x 33.5 x 0.4 inch
€987
A strong man - Dad
Dzovig Arnelian
Painting - 280 x 95 x 1 cm Painting - 110.2 x 37.4 x 0.4 inch
€987
A strong man - Grandpa
Dzovig Arnelian
Painting - 285 x 120 x 1 cm Painting - 112.2 x 47.2 x 0.4 inch
€1,161
Lovely Meeting
Siranush Vardanyan
Painting - 90 x 70 x 1 cm Painting - 35.4 x 27.6 x 0.4 inch
€1,000 €900
Esmeralda, série silhouette de femme
Mireille Bassier-Tilmont
Sculpture - 19 x 9 x 6 cm Sculpture - 7.5 x 3.5 x 2.4 inch
€490
Charline, série silhouette de femme
Mireille Bassier-Tilmont
Sculpture - 23 x 7 x 8 cm Sculpture - 9.1 x 2.8 x 3.1 inch
€490
Silent Soul (01)
Richard Laillier
Fine Art Drawings - 18 x 10 x 1 cm Fine Art Drawings - 7.1 x 3.9 x 0.4 inch
€600
Dérèglement cyclique
Jonathan Pradillon
Painting - 115 x 75 x 1.8 cm Painting - 45.3 x 29.5 x 0.7 inch
€1,000
Lucia at eleven
Cristina Fontsare
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
€800
Lucia at thirteen
Cristina Fontsare
Photography - 40 x 51 x 0.1 cm Photography - 15.7 x 20.1 x 0 inch
€1,000
Molts moments per pensar... cap per oblidar-te
Carol Tomàs Alcaine
Painting - 50 x 100 x 3.5 cm Painting - 19.7 x 39.4 x 1.4 inch
€1,000
No puedo vivir sin ti
Carol Tomàs Alcaine
Painting - 100 x 100 x 3.5 cm Painting - 39.4 x 39.4 x 1.4 inch
€1,500
Grand sumo rouge
François Rambaud
Sculpture - 85 x 70 x 50 cm Sculpture - 33.5 x 27.6 x 19.7 inch
€3,600 €3,240
Los Vientos
James Sparshatt
Photography - 150 x 180 x 3 cm Photography - 59.1 x 70.9 x 1.2 inch
€6,950
Encre #5
Timothy Archer
Fine Art Drawings - 28 x 21 x 0.1 cm Fine Art Drawings - 11 x 8.3 x 0 inch
€850
And Now Summer Has Left…
Alexander Levich
Painting - 50 x 70 x 2 cm Painting - 19.7 x 27.6 x 0.8 inch
€890
Ballet Pose lll
Robert van Bolderick
Painting - 76 x 56 x 0.4 cm Painting - 29.9 x 22 x 0.2 inch
€850
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.