Human body
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Connection - We Are Connected
Joanna Glazer
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
€490 €294
Nak D, Ana-Son
Nicolas Boutruche
Photography - 160 x 80 x 2 cm Photography - 63 x 31.5 x 0.8 inch
€5,500
Nak D, Ash-Ana
Nicolas Boutruche
Photography - 160 x 80 x 2 cm Photography - 63 x 31.5 x 0.8 inch
€5,500
Hiromi
Nathalie Daoust
Photography - 45 x 67 x 2 cm Photography - 17.7 x 26.4 x 0.8 inch
€1,100 €935
Femme au cœur noir
Jean-Pierre Le Boul'ch
Painting - 61 x 37 x 2 cm Painting - 24 x 14.6 x 0.8 inch
€2,200
Butterfly Effect
Rakhmet Redzhepov (Ramzi)
Painting - 110 x 80 x 3 cm Painting - 43.3 x 31.5 x 1.2 inch
€2,900
La Vie
Merry Kerpitchian (Merry K)
Sculpture - 50 x 40 x 30 cm Sculpture - 19.7 x 15.7 x 11.8 inch
€5,800
La piscine n°3
Camille Brasselet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
€1,100
Daphnée Etoilée
Klaus Roethlisberger
Photography - 70 x 53 x 0.2 cm Photography - 27.6 x 20.9 x 0.1 inch
€540
Espolsant L'Estol
Pep Anton Xaus
Painting - 90 x 100 x 4 cm Painting - 35.4 x 39.4 x 1.6 inch
€3,450
Hommage to Jan Vermeer
Renato Guttuso
Print - 70 x 49 x 0.3 cm Print - 27.6 x 19.3 x 0.1 inch
€500 €400
Hommage to Heinrich Fuseli
Renato Guttuso
Print - 70 x 49 x 0.3 cm Print - 27.6 x 19.3 x 0.1 inch
€550 €440
Red pink water
Cristina Fontsare
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
€600
Tropical Bath
Thomas Louvagny
Photography - 60 x 45 x 3 cm Photography - 23.6 x 17.7 x 1.2 inch
€650
End of the Market III (medium)
Jesus Torio
Photography - 84.1 x 57.1 x 0.2 cm Photography - 33.1 x 22.5 x 0.1 inch
€1,300
Risque 24-03-22
Corné Akkers
Fine Art Drawings - 21.1 x 29.7 x 0.3 cm Fine Art Drawings - 8.3 x 11.7 x 0.1 inch
€3,223
Tant'è amara che poco è più morte
Rossella Mercedes
Fine Art Drawings - 25 x 17 x 0.1 cm Fine Art Drawings - 9.8 x 6.7 x 0 inch
€190
Riposiziona le tue vertebre
Rossella Mercedes
Fine Art Drawings - 42 x 29.7 x 0.25 cm Fine Art Drawings - 16.5 x 11.7 x 0.1 inch
€360
Prendi il secchio
Rossella Mercedes
Fine Art Drawings - 30.5 x 36.6 x 0.3 cm Fine Art Drawings - 12 x 14.4 x 0.1 inch
€300
Gynécée
Nicolas Boutruche
Photography - 110 x 110 x 2 cm Photography - 43.3 x 43.3 x 0.8 inch
€6,300
Equilibrium
Mihai Alexandru Haita
Painting - 100 x 80 x 3 cm Painting - 39.4 x 31.5 x 1.2 inch
€2,570
The Appointment
Sue Rosalind Vesely
Painting - 120 x 80 x 3 cm Painting - 47.2 x 31.5 x 1.2 inch
€2,554
I felt I had become a different person
Ngahina Belton-Bodsworth
Painting - 21 x 56 x 3 cm Painting - 8.3 x 22 x 1.2 inch
€2,570
Sans titre
Andrée Vilar
Fine Art Drawings - 50 x 65 x 1 cm Fine Art Drawings - 19.7 x 25.6 x 0.4 inch
€3,200
A woman for every size - Ancient pleasures
Andrea Vandoni
Painting - 30 x 150 x 4 cm Painting - 11.8 x 59.1 x 1.6 inch
€2,100
Spirit
Rossella Mercedes
Fine Art Drawings - 23 x 30.5 x 0.2 cm Fine Art Drawings - 9.1 x 12 x 0.1 inch
€120
Behind the muse
Vakhtang Khelashvili
Painting - 90 x 120 x 2.2 cm Painting - 35.4 x 47.2 x 0.9 inch
€2,200
Changing room
Suthamma (Ta) Byrne
Painting - 120 x 100 x 4 cm Painting - 47.2 x 39.4 x 1.6 inch
€3,470
Try walking in my shoes.
Elena Shichko
Painting - 80 x 100 x 2 cm Painting - 31.5 x 39.4 x 0.8 inch
€2,700
Aphrodite 350 BC
Gavin O'Donoghue
Painting - 80 x 68.1 x 2 cm Painting - 31.5 x 26.8 x 0.8 inch
€760
H0427 – The crusher
Idan Wizen
Photography - 90 x 60 x 0.1 cm Photography - 35.4 x 23.6 x 0 inch
€500
F0488 – The surprising
Idan Wizen
Photography - 90 x 60 x 0.1 cm Photography - 35.4 x 23.6 x 0 inch
€750
F0564 – The dauntless
Idan Wizen
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
€1,800
F0500 – The dancer
Idan Wizen
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
€1,800
H0430 – The last one
Idan Wizen
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
€1,800
F0479 - The fantasized
Idan Wizen
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
€1,800
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.