Human body
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Lady with greatcoat
Stavri Kalinov
Sculpture - 30 x 10 x 4 cm Sculpture - 11.8 x 3.9 x 1.6 inch
€2,800
Nu n° II sur carte michelin
Valérie Evrard
Photography - 16 x 22 x 0.1 cm Photography - 6.3 x 8.7 x 0 inch
€400
Nu n° I sur plan de rivière
Valérie Evrard
Photography - 16 x 22 x 0.1 cm Photography - 6.3 x 8.7 x 0 inch
€400
Portrait sur carte - Mon coeur en Italie
Valérie Evrard
Photography - 22 x 16 x 0.1 cm Photography - 8.7 x 6.3 x 0 inch
€400
Nu - Raphaelle
Aurélie Trabaud
Fine Art Drawings - 29 x 42 x 0.1 cm Fine Art Drawings - 11.4 x 16.5 x 0 inch
€80
From the series "3 Days" - Collaboration with Kirill Koteshov
Ilya Gaponov
Painting - 200 x 200 x 2 cm Painting - 78.7 x 78.7 x 0.8 inch
€14,520
Figure summary, 1979 DESTOCKAGE
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€100
Model summary, 1980
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€146
Nudo, 1979 DESTOCKAGE
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€100
Composition with model, 1979
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€150
Nude, 1979 DESTOCKAGE
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€120
Nude, 1979
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€130
Model, 1975
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€140
Model, 1978 DESTOCKAGE 50 EURO
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€50
Le t-shirt à cœur
Alban Garachon
Fine Art Drawings - 30 x 25 x 1 cm Fine Art Drawings - 11.8 x 9.8 x 0.4 inch
€450
Pixel. J
Jean-Paul Veison Marcelli
Painting - 110 x 110 x 2 cm Painting - 43.3 x 43.3 x 0.8 inch
€1,000
Pixel. T
Jean-Paul Veison Marcelli
Painting - 150 x 100 x 2 cm Painting - 59.1 x 39.4 x 0.8 inch
€1,450
Female Substance
Dmitry Kawarga
Sculpture - 50.8 x 10.2 x 10.2 cm Sculpture - 20 x 4 x 4 inch
€6,770
La mujer de la luna
Carmen Cañadas
Painting - 162 x 97 x 2 cm Painting - 63.8 x 38.2 x 0.8 inch
€16,000 €12,800
3 Women and a Harlequin
Peter Carella
Painting - 76.2 x 61 x 2.5 cm Painting - 30 x 24 x 1 inch
€1,741
Un séisme ordinaire
Sylvie Julkowski-Egard
Painting - 120 x 90 x 2 cm Painting - 47.2 x 35.4 x 0.8 inch
€2,500
Black Lupanar
Laurent Anastay-Ponsolle
Painting - 81 x 100 x 3 cm Painting - 31.9 x 39.4 x 1.2 inch
€2,500
Les enveloppes - image 8/13
Sarah Salazar
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
€413
Les enveloppes - image 5/13
Sarah Salazar
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
€413
Les révélations de l'Hydre
Laurent Anastay-Ponsolle
Fine Art Drawings - 100 x 80 x 0.1 cm Fine Art Drawings - 39.4 x 31.5 x 0 inch
€2,500
Rêve d'une vie
Laurent Anastay-Ponsolle
Painting - 100 x 70 x 3 cm Painting - 39.4 x 27.6 x 1.2 inch
€2,250
Esculmau 105 Robe Bleu nuit Satin
Arson
Sculpture - 102 x 32 x 17 cm Sculpture - 40.2 x 12.6 x 6.7 inch
€2,600
Esculmau 105 Vert pomme
Arson
Sculpture - 102 x 32 x 17 cm Sculpture - 40.2 x 12.6 x 6.7 inch
€2,450
Paleolithic Bronze Figurine
Ohad Ben-Ayala
Sculpture - 23 x 9 x 8 cm Sculpture - 9.1 x 3.5 x 3.1 inch
€2,450
L'avortement - La mer donne et reprend tout
Lili Ruby Chomat
Photography - 42 x 59.4 x 0.1 cm Photography - 16.5 x 23.4 x 0 inch
€240
Bronze Figurine (Standing Woman)
Ohad Ben-Ayala
Sculpture - 25 x 6 x 7 cm Sculpture - 9.8 x 2.4 x 2.8 inch
€2,500
Bronze Figurine of a Woman
Ohad Ben-Ayala
Sculpture - 29 x 7 x 6 cm Sculpture - 11.4 x 2.8 x 2.4 inch
€2,860
Elevation inversion
Allison Harrell
Painting - 49.5 x 72.5 x 2.5 cm Painting - 19.5 x 28.5 x 1 inch
€6,000
G3
Jean-Paul Veison Marcelli
Photography - 120 x 80 x 3 cm Photography - 47.2 x 31.5 x 1.2 inch
€1,160
G2
Jean-Paul Veison Marcelli
Photography - 120 x 80 x 3 cm Photography - 47.2 x 31.5 x 1.2 inch
€1,160
G1
Jean-Paul Veison Marcelli
Photography - 120 x 80 x 3 cm Photography - 47.2 x 31.5 x 1.2 inch
€1,160
Danseuse et tête bleue
Robillard Puvinel
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
€280
Belisama It's only gold
Philippe Buil
Sculpture - 53 x 44 x 14 cm Sculpture - 20.9 x 17.3 x 5.5 inch
€21,000
Belisama Jocaste
Philippe Buil
Sculpture - 54 x 36 x 20 cm Sculpture - 21.3 x 14.2 x 7.9 inch
€16,000
Shijunku99 - Beauty - #002 - Ombrelles japonaises
Davis Y
Photography - 20 x 20 cm Photography - 7.9 x 7.9 inch
€150
Shijunku99 - Beauty - #002 - Feu du soleil levant
Davis Y
Photography - 20 x 20 cm Photography - 7.9 x 7.9 inch
€150
Lotta perpetua
Nicola Bertoglio
Photography - 50 x 81 x 4 cm Photography - 19.7 x 31.9 x 1.6 inch
€350
Seme dischiuso
Nicola Bertoglio
Photography - 50 x 81 x 4 cm Photography - 19.7 x 31.9 x 1.6 inch
€350
Gentlemen Prefer Blondes
Marco Battaglini
Painting - 143 x 105 x 3 cm Painting - 56.3 x 41.3 x 1.2 inch
€33,000
N° 1136 Covid 19 (8) Trop long ce confinement !
R. Cavalié
Painting - 50 x 100 x 2.4 cm Painting - 19.7 x 39.4 x 0.9 inch
€780
N° 1132 Covid 19 (5) 'Jouons à nous divertir'.
R. Cavalié
Painting - 65 x 81 x 2.4 cm Painting - 25.6 x 31.9 x 0.9 inch
€800
N° 1131 Covid 19 (4) 'Non, faut pas se laisser aller !'
R. Cavalié
Painting - 92 x 60 x 2.4 cm Painting - 36.2 x 23.6 x 0.9 inch
€1,000
N° 1130 Covid 19 (3) Traque à l'info b
R. Cavalié
Painting - 54 x 81 x 2.4 cm Painting - 21.3 x 31.9 x 0.9 inch
€800
N° 1129 Covid 19 (2) Traque à l'info a.
R. Cavalié
Painting - 65 x 81 x 2.4 cm Painting - 25.6 x 31.9 x 0.9 inch
€800
N° 1128 Covid 19 (1) Angoissant Tête-à-tête.
R. Cavalié
Painting - 65 x 92 x 2.4 cm Painting - 25.6 x 36.2 x 0.9 inch
€1,000
N° 923 Bien sûr, elle s'en remettra !
R. Cavalié
Painting - 92 x 73 x 2 cm Painting - 36.2 x 28.7 x 0.8 inch
€1,000
Empty space
Tatyana Podmarkova
Painting - 220 x 370 x 3 cm Painting - 86.6 x 145.7 x 1.2 inch
€18,997
A body with yellow hood
NengZhi Zhao
Painting - 116 x 85 x 0.2 cm Painting - 45.7 x 33.5 x 0.1 inch
€6,355
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.