Gestural abstraction
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Collection Papillon n°1261
Patrick Salamone
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
€1,400
Vermillon céruléen 2
Blandine Insler
Painting - 60 x 60 x 2 cm Painting - 23.6 x 23.6 x 0.8 inch
€790
Last second of a down
Ovidiu Kloska
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
€1,000
Golden view, Painting, Acrylic on Canvas
Daniela Pasqualini
Painting - 152.4 x 121.9 x 5.1 cm Painting - 60 x 48 x 2 inch
€5,536
Hidden Light - Viva Magenta
Daniela Pasqualini
Painting - 121.9 x 91.4 x 5.1 cm Painting - 48 x 36 x 2 inch
€3,245
Starry Blue Night
Daniela Pasqualini
Painting - 121.9 x 91.4 x 2.5 cm Painting - 48 x 36 x 1 inch
€3,245
Ode - Composition of 7 Oval Paintings
Daniela Pasqualini
Painting - 121.9 x 121.9 x 2.5 cm Painting - 48 x 48 x 1 inch
€2,482
Supernova 5 | Abstrait | Abstract
Gina Vor
Painting - 29.7 x 21 x 0.1 cm Painting - 11.7 x 8.3 x 0 inch
€150
Supernova 4 | Abstrait | Abstract
Gina Vor
Painting - 29.7 x 21 x 0.1 cm Painting - 11.7 x 8.3 x 0 inch
€150
Saved By The Black | Abstrait | Abstract
Gina Vor
Painting - 30 x 30 x 0.4 cm Painting - 11.8 x 11.8 x 0.2 inch
€300
Small Red Sign No 6 | Abstrait Minimaliste
Gina Vor
Painting - 24 x 17 x 0.1 cm Painting - 9.4 x 6.7 x 0 inch
€100
Small Red Sign No 5 | Abstrait Minimaliste
Gina Vor
Painting - 24 x 17 x 0.1 cm Painting - 9.4 x 6.7 x 0 inch
€100
Small Red Sign No 4 | Abstrait Minimaliste
Gina Vor
Painting - 24 x 17 x 0.1 cm Painting - 9.4 x 6.7 x 0 inch
€100
Small Red Sign No 3 | Abstrait Minimaliste
Gina Vor
Painting - 24 x 17 x 0.1 cm Painting - 9.4 x 6.7 x 0 inch
€100
Small Red Sign No 2 | Abstrait Minimaliste
Gina Vor
Painting - 24 x 17 x 0.1 cm Painting - 9.4 x 6.7 x 0 inch
€100
Small Red Sign No 1 | Abstrait Minimaliste
Gina Vor
Painting - 24 x 17 x 0.1 cm Painting - 9.4 x 6.7 x 0 inch
€100
White Line 3 - Minimalist Abstract | Abstrait Minimaliste
Gina Vor
Painting - 29.7 x 21 x 0.1 cm Painting - 11.7 x 8.3 x 0 inch
€150
Fly Me To The Moon - Minimalist Abstract (Abstrait Minimaliste)
Gina Vor
Painting - 32 x 24 x 0.1 cm Painting - 12.6 x 9.4 x 0 inch
€150
Summer still life
Aloyzas Smilingis
Painting - 39 x 50 x 0.5 cm Painting - 15.4 x 19.7 x 0.2 inch
€900
Green Abstract - Abstrait Vert
Gina Vor
Painting - 38 x 28 x 0.2 cm Painting - 15 x 11 x 0.1 inch
€200
Yellow Diptych, Diptyque Jaune
Gina Vor
Painting - 30 x 42 x 0.2 cm Painting - 11.8 x 16.5 x 0.1 inch
€300
Abstract No. 14 - Abstrait No 14
Gina Vor
Painting - 30 x 30 x 0.4 cm Painting - 11.8 x 11.8 x 0.2 inch
€300
Abstract No. 12 - Abstrait No 12
Gina Vor
Painting - 30 x 24 x 0.4 cm Painting - 11.8 x 9.4 x 0.2 inch
€300
Abstract No. 13 - Abstrait No 13
Gina Vor
Painting - 30 x 24 x 0.4 cm Painting - 11.8 x 9.4 x 0.2 inch
€300
Abstract No. 1 | Abstrait No. 1
Gina Vor
Painting - 30 x 24 x 0.4 cm Painting - 11.8 x 9.4 x 0.2 inch
€300
Black Art 13, Abstrait Noir 13
Gina Vor
Painting - 30 x 21 x 0.2 cm Painting - 11.8 x 8.3 x 0.1 inch
€150
Black Art 12, Abstrait Noir 12
Gina Vor
Painting - 30 x 21 x 0.2 cm Painting - 11.8 x 8.3 x 0.1 inch
€150
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."