
Alfabet 1,
2016
Daniel Krysta
Painting : acrylic
110 x 150 x 2 cm 43.3 x 59.1 x 0.8 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
110 x 150 x 2 cm 43.3 x 59.1 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Romania
This striking artwork is an evocative exploration of texture and minimalism, characterized by its monochromatic palette. The canvas is dominated by a rough, gray surface that exudes an industrial, almost metallic feel. Embedded within the canvas are precisely arranged raised dots, contributing a tactile dimension to the piece. These dots are uniformly organized, creating a sense of rhythm and order against the chaotic backdrop. The interplay of light and shadow on the textured surface adds depth and intrigue, inviting viewers to touch and explore. This artwork challenges perceptions of conventional beauty, highlighting the allure of raw materials and simplicity. Its unique juxtaposition of order and raw texture sets it apart, making it a compelling study in contrast and form.
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Discover more by the artist
Presentation
Born in 1976 in Cieszyn, Poland
He graduated from the Faculty of Painting of Wrocław's Academy of Fine Arts, having completed his diploma in Professor Stanisław Kortyka's studio.
He participated in dozens of collective exhibitions and has several individual exhibitions to his credit.
The winner of numerous contests, he now lives and works in Wrocław.
Research
Everything started with my interest in physicality and sensuality in painting. And I follow the path. As long as I can remember, I have always been attracted by tangibility, texture and fleshiness of a painting. But first and foremost, opportunities offered by matter. It is something arbitrary, shaped by humans, by their intentions, spirit or sensibility. Once on the painting, the matter becomes unreal because of the painting, the fact that it is being perceived. In my opinion, it precisely allows to reflect the reality. Those things, seemingly contradictory, to me, they are identical. On the one hand, reality manifested in texture and on the other hand – reality pictured with the help of other painting-related tricks, more elusive or hyperrealistic elements.
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