
PC513,
2014
Daniel Krysta
Painting : acrylic
50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Romania
This artwork features a striking use of textured rust and metal, creating a visually engaging experience. The warm hues of oxidized orange and brown dominate the canvas, evoking a sense of industrial rawness. Scattered across this surface are several metallic protrusions, which vary in size and create a dynamic three-dimensional effect. These elements seem to emerge organically from the rusted background, giving life to what appears otherwise still. The interplay between light and shadow on these protrusions adds depth and intrigue, inviting viewers to explore the tactile quality. This piece masterfully balances the gritty beauty of decay with a hint of futuristic design, resulting in a compelling and unique visual narrative. Its bold, assertive presence demands attention and invites contemplation on the passage of time and industrial aesthetic.
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Presentation
Born in 1976 in Cieszyn, Poland
He graduated from the Faculty of Painting of Wrocław's Academy of Fine Arts, having completed his diploma in Professor Stanisław Kortyka's studio.
He participated in dozens of collective exhibitions and has several individual exhibitions to his credit.
The winner of numerous contests, he now lives and works in Wrocław.
Research
Everything started with my interest in physicality and sensuality in painting. And I follow the path. As long as I can remember, I have always been attracted by tangibility, texture and fleshiness of a painting. But first and foremost, opportunities offered by matter. It is something arbitrary, shaped by humans, by their intentions, spirit or sensibility. Once on the painting, the matter becomes unreal because of the painting, the fact that it is being perceived. In my opinion, it precisely allows to reflect the reality. Those things, seemingly contradictory, to me, they are identical. On the one hand, reality manifested in texture and on the other hand – reality pictured with the help of other painting-related tricks, more elusive or hyperrealistic elements.
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