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Nous sommes tous des enfants
Jean Valera
Photography - 20 x 30 x 0.3 cm Photography - 7.9 x 11.8 x 0.1 inch
$124
Untitled 22 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$4,000
Untitled 20 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$4,000
Untitled 17 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$4,000
Untitled 9 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$4,000
Femme à la guitare / Lady with guitar
Eugène Druet
Photography - 43 x 54 x 0.5 cm Photography - 16.9 x 21.3 x 0.2 inch
$2,771
Phénomènes, Untitled (volcanic eruption #2)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
$158
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
$2,827
Série : Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
$2,827
S… like Self Portrait v.3.3..... a 5 Ply Work
LosOtros Mj Tom
Painting - 100 x 355 x 1 cm Painting - 39.4 x 139.8 x 0.4 inch
$4,524
Lewis Hamilton. MacLaren. Espagne. 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,696
Tirages sur papier photo: dépliant X _ 2000
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
$16,963
Tirages sur papier photo: deux photos XI_ 1986
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
$16,963
Tirages sur papier photo: deux photos V, 1988
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
$16,963
Tirages sur papier photo: XXIII 1986
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
$16,963
Photo 111110.4
Gottfried Jäger
Photography - 70 x 70 x 3 cm Photography - 27.6 x 27.6 x 1.2 inch
$7,916
Ayrton Senna. Vainqueur chez lui au Brésil. F1
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,696
Tigre du Bengale. Inde
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$905
Girafe et girafon. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$905
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours: Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours: Buanderie dans la cour arrière
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours: L'ange déchu - Église Élisabeth
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Série : Berlin nord-est / arrière-cours - Oderberger Straße
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,827
Bridge, Tree and Rock in Fog, Alentejo
Gonçalo Martins
Photography - 27 x 35 x 0.1 cm Photography - 10.6 x 13.8 x 0 inch
$181
Untitled 29 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$4,000
Untitled 11 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$4,000
Untitled 1 (Paris), From the series La Notte, Medium
Arslan Sükan
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$4,000
Untitled 30 from the series of INtheVISIBLE
Arslan Sükan
Photography - 140 x 110 x 0.1 cm Photography - 55.1 x 43.3 x 0 inch
$4,500
Bubble Bath I, Rio De Janeiro, Brazil
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
As Palomas. From the Mundo da Sombras Series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Egg, Sao Paulo
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Cry Me a River Belem Do Para
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
La série : Orogenèse - Le Gray
Joan Fontcuberta
Photography - 75 x 100 cm Photography - 29.5 x 39.4 inch
$11,309
Vanity tribute to Andy
Ron English
Sculpture - 68 x 54 x 45 cm Sculpture - 26.8 x 21.3 x 17.7 inch
$15,267
White Noise
Chien Hua Huang
Photography - 75 x 75 x 4 cm Photography - 29.5 x 29.5 x 1.6 inch
$3,800
Série: Se faire passer pour Mao
Nathalie Daoust
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
$2,827
Don't Tell Mamma #4
Koray Erkaya
Photography - 119.4 x 81.3 x 0.3 cm Photography - 47 x 32 x 0.1 inch
$5,000
Invacuo Project #23
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
$4,900
Nuances tribal
Jonathan Pradillon
Painting - 29 x 29 x 3.5 cm Painting - 11.4 x 11.4 x 1.4 inch
$147
Pow wow. Indiens. Amerique du nord.
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,470
Sadhus sur les ghats de Bénarès. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,131
Femme Hamer. Marché. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,470
Femmes Hamer au marché. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,470
Schumi. Le baron rouge en pole à Monaco. Michael Schumacher
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,696
Ayrton Senna. Brésil. Sao Paulo 1992
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,696
Concentration du pilote Mika Hakkinen. MacLaren
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,470
All the others in me (New York)
Maria Jose Arjona
Photography - 69.9 x 100 x 0.3 cm Photography - 27.5 x 39.37 x 0.1 inch
$9,000
Voyou! Edition de 3 différents rehaussés. Drippping. signés..
JP Malot
Print - 50 x 70 cm Print - 19.7 x 27.6 inch
$339
Jeanne Hébuterne - Planche 122
Nadine Van Der Straeten
Print - 42 x 29.7 x 1 cm Print - 16.5 x 11.7 x 0.4 inch
$554
Jeanne Hébuterne - Planche 29
Nadine Van Der Straeten
Print - 42 x 29.7 x 1 cm Print - 16.5 x 11.7 x 0.4 inch
$554
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!