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Flou 3
Gabriel Quirant - Pidet
Photography - 50 x 75 x 1 cm Photography - 19.7 x 29.5 x 0.4 inch
$337
L'avortement - La mer donne et reprend tout
Lili Ruby Chomat
Photography - 42 x 59.4 x 0.1 cm Photography - 16.5 x 23.4 x 0 inch
$270
Pauline mise en abyme
Jean-Robert Franco
Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch
$3,371
Apparition chambre bleue
Jean-Robert Franco
Photography - 100 x 130 x 1 cm Photography - 39.4 x 51.2 x 0.4 inch
$3,371
June, nude
Jean-Robert Franco
Photography - 50 x 70 x 1 cm Photography - 19.7 x 27.6 x 0.4 inch
$3,371
C3
Jean-Paul Veison Marcelli
Photography - 40 x 60 x 0.3 cm Photography - 15.7 x 23.6 x 0.1 inch
$472
C2
Jean-Paul Veison Marcelli
Photography - 60 x 40 x 0.3 cm Photography - 23.6 x 15.7 x 0.1 inch
$472
C1
Jean-Paul Veison Marcelli
Photography - 40 x 60 x 0.3 cm Photography - 15.7 x 23.6 x 0.1 inch
$472
Elle La Sirène
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$303
Elle Assouvie
Didier Cormillot
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$258
My first nudes 1978 N°4 /
Didier Cormillot
Photography - 42 x 60 x 0.2 cm Photography - 16.5 x 23.6 x 0.1 inch
$258
My first nudes 1978 N°1 /
Didier Cormillot
Photography - 42 x 60 x 0.2 cm Photography - 16.5 x 23.6 x 0.1 inch
$258
ELLE Le réveil
Didier Cormillot
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$258
Elle Mon bain /
Didier Cormillot
Photography - 60 x 80 x 0.2 cm Photography - 23.6 x 31.5 x 0.1 inch
$258
Elle after love /
Didier Cormillot
Photography - 40 x 30 x 0.2 cm Photography - 15.7 x 11.8 x 0.1 inch
$258
Streets of Yirga Chefe, Southern Ethiopia (Large format)
Girma Berta
Photography - 100 x 70 x 5 cm Photography - 39.4 x 27.6 x 2 inch
Price upon request
David Bowie Aladdin Sane Eyes Open
Brian Duffy
Photography - 101 x 101 x 0.01 cm Photography - 39.8 x 39.8 x 0 inch
Price upon request
The Craneman
Didier Engels
Photography - 120 x 80 x 9 cm Photography - 47.2 x 31.5 x 3.5 inch
Price upon request
Eames Chillin
Nick Veasey
Photography - 58 x 84 x 2 cm Photography - 22.8 x 33.1 x 0.8 inch
Price upon request
Passage Julien Lacroix, Ménilmontant - Paris
Willy Ronis
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
Sold
In stillness, in solitude, I count 07
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
Une femme sur un toit brûlant
Sylvia Galmot
Photography - 60 x 80 cm Photography - 23.6 x 31.5 inch
Sold
Marilyn Monroe, ca
George Barris
Photography - 25.4 x 20.3 x 0.2 cm Photography - 10 x 8 x 0.1 inch
Sold
Banana leaves #11
Ed Reddon
Photography - 117.5 x 58.5 x 1 cm Photography - 46.3 x 23 x 0.4 inch
Sold
Insta(nt)llation - Protection 1/2
Eszter Poroszlai
Photography - 30 x 30 x 3 cm Photography - 11.8 x 11.8 x 1.2 inch
Sold
La Nuit au Chalet 1935
Willy Ronis
Photography - 30 x 40 x 1 cm Photography - 11.8 x 15.7 x 0.4 inch
Sold
Mineur silicosé, Lens
Willy Ronis
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
Sold
Paysage sur route 40-2020
Aline Isoard
Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch
Sold
Requiem pour pianos 4
Romain Thiery
Photography - 60 x 90 x 0.3 cm Photography - 23.6 x 35.4 x 0.1 inch
Sold
Requiem pour pianos 28
Romain Thiery
Photography - 50 x 70 x 0.3 cm Photography - 19.7 x 27.6 x 0.1 inch
Sold
Massachusetts Mist
Stuart Christian Möller
Photography - 101 x 152 x 0.001 cm Photography - 39.8 x 59.8 x 0 inch
Sold
Nature Quadri 001
Jean-Claude Byandb
Photography - 60 x 45 x 0.1 cm Photography - 23.6 x 17.7 x 0 inch
Sold
In the land of my fathers 131
Geert Lemmers
Photography - 81.3 x 99.1 x 2.5 cm Photography - 32 x 39 x 1 inch
Sold
Seeing with all that I am
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
Love: the center of all things
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
In stillness, in solitude, I count 08
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
In stillness, in solitude, I count 04
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
In stillness, in solitude, I count 03
Christa David
Photography - 25.4 x 22.86 x 3 cm Photography - 10 x 9 x 1.2 inch
Sold
In stillness, in solitude, I count 02
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
In stillness, in solitude, I count 01
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
I'm doing my part and you
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
I will trust the wiser thing
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
I will consider the cost, always
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
A portrait of surrender and serenity
Christa David
Photography - 25.4 x 22.86 x 2 cm Photography - 10 x 9 x 0.8 inch
Sold
Total Screen III
Strahil Penev
Photography - 78 x 57 x 1 cm Photography - 30.7 x 22.4 x 0.4 inch
Sold
Total Screen II
Strahil Penev
Photography - 78 x 57 x 1 cm Photography - 30.7 x 22.4 x 0.4 inch
Sold
Human proximity XI
Sven Pfrommer
Photography - 100 x 100 x 3 cm Photography - 39.4 x 39.4 x 1.2 inch
Sold
Hydrocarbure
Stéphane Martin
Photography - 40 x 30 x 0.04 cm Photography - 15.7 x 11.8 x 0 inch
Sold
New Year's Toast, Miami Beach
Andy Sweet
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
Sold
Serie Vera y Victoria
Mar Sáez
Photography - 50 x 70 x 3 cm Photography - 19.7 x 27.6 x 1.2 inch
Sold
The Dorothy Hotel, Miami Beach
Andy Sweet
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
Sold
Leslie Hotel, Miami Beach
Andy Sweet
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
Sold
British Antarctic Expedition
Herbert Ponting
Photography - 101.6 x 76.2 cm Photography - 40 x 30 inch
Sold
Untitled (Church Spire, Seville)
Martin Munkacsi
Photography - 37.8 x 29.8 cm Photography - 14.88 x 11.75 inch
Sold
Le jour V - 8 mai - Paris
Willy Ronis
Photography - 30 x 40 x 1 cm Photography - 11.8 x 15.7 x 0.4 inch
Sold
La parisienne vaut bien une messe
Sylvia Galmot
Photography - 50 x 30 cm Photography - 19.7 x 11.8 inch
Sold
004- Les petits peuples de Sibérie
Jacques Langevin
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
Sold
Abstaction damier
Jean-Robert Franco
Photography - 80 x 60 x 1 cm Photography - 31.5 x 23.6 x 0.4 inch
Sold
1 - Les âges de la vie - Jadis
Mita Vostok
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
Sold
Watercolor on photo #6
Sanne De Wilde Bénédicte Kurzen
Photography - 21 x 14.85 cm Photography - 8.3 x 5.8 inch
Sold
Nous sommes tous des enfants - 2
Jean Valera
Photography - 20 x 30 x 0.3 cm Photography - 7.9 x 11.8 x 0.1 inch
Sold
Bérénice Bejo & Stéphane de Groodt
Franck Leclerc
Photography - 60 x 50 x 1 cm Photography - 23.6 x 19.7 x 0.4 inch
Sold
Requiem pour pianos 30
Romain Thiery
Photography - 100 x 150 x 6 cm Photography - 39.4 x 59.1 x 2.4 inch
Sold
The family, Skrova – Norway 2012
Gonçalo Martins
Photography - 19 x 19 x 0.1 cm Photography - 7.5 x 7.5 x 0 inch
Sold
Broadway-Simplon
Stéphane Martin
Photography - 40 x 30 x 0.04 cm Photography - 15.7 x 11.8 x 0 inch
Sold
Balade en vallée d’Ubaye
Didier Bizet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
Sold
Kate Moss en Fiat, Vogue Italy
Arthur Elgort
Photography - 100 x 75 x 3 cm Photography - 39.4 x 29.5 x 1.2 inch
Sold
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!