Reina multicolor,
2019
Zeta Yeyati
Painting : collage, Stencil, mixed media
72 x 51 x 0.5 cm 28.3 x 20.1 x 0.2 inch
$369
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
72 x 51 x 0.5 cm 28.3 x 20.1 x 0.2 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Mexico
"Reina multicolor" obra de Zeta Yeyati a portrait that challenges the ordinary with symbolic force.
Reina multicolor is a composition that merges visual strength with narrative delicacy and deep symbolism. In this portrait of a woman, the artist offers a figure who inhabits space with serene dignity and striking chromatic vitality. Executed in mixed media on 51x72 cm paper, the work blends acrylic, stencil and collage to create a piece where color becomes voice and the figure turns into an emblem. This multicolored queen wears no crown, yet reigns through her intense gaze and minimalist contour. Ornamentation and layered elements generate movement and depth, while the palette —blue, orange, red and black— produces a vibrant tension between the ethereal and the grounded. In Yeyati's hands, multicolor is not just a palette but a metaphor for multiplicity. This female figure becomes a synthesis of memory, play and quiet strength. True to his philosophy, the artist transforms discarded material into visual poetry. What once belonged to oblivion now commands the composition. asserts the beauty of difference and the richness of hybrid narratives.
Zeta Yeyati, born in Burzaco in 1965, is an Argentine artist who built his creative world from a very young age. Although also known as a musician, his visual language developed first. Drawings, pieces of wood, spontaneous collages and objects from everyday life shaped his autodidactic training. His work doesn't follow a specific school but reflects a personal search to resignify the marginal and the discarded. With sensitivity and freedom, he transforms the everyday into something emotional and timeless.
In "Reina multicolor", the process is as important as the result. The woman at the center emerges from recycled paper, expressive stains and assembled fragments that celebrate their humble origins. With an artistic identity rooted in reuse, Yeyati creates unique works that blend memory and imagination. His visual language incorporates discarded textures, transparencies and matter-driven effects. This piece, in particular, suggests a figure from another world, with a fairy tale quality and an anachronistic charm. Her eyes, a recurring feature in his work, become silent narrators of untold stories. proves that with just a few strokes, entire worlds can be conjured.
This queen is not adorned in gold or grandeur. She reigns through presence, through the quiet power of her form and color. Yeyati's style is not built on extravagance but on thoughtful precision. Each trace, each texture feels deliberate and resonant. reminds us to look beyond appearances, to find nobility in the overlooked, to celebrate beauty where we least expect it. In its silence, this work speaks loudly to those willing to listen.
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Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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