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Lumieres noires, les Blocs N29,
2025
Serge Teneze
Painting : oil
130 x 90 x 3 cm 51.2 x 35.4 x 1.2 inch
£7,239
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
130 x 90 x 3 cm 51.2 x 35.4 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This abstract artwork is a bold exploration of textures and shades of black. The canvas, dominated by a deep black, reveals subtle and varied layers through the expert application of impasto paint. Streaks and marks in the surface suggest dynamic movement, evoking urban or industrial landscapes. Light plays a key role, clinging to the hollows and reliefs, creating a captivating interplay of light and shadow. The minimalism of the color palette emphasizes the complexity of the textural composition. This bold homage to monochrome art invites the viewer to immerse themselves in a world of contemplation, where each dark detail reveals an unexpected depth and intensity.
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Presentation
Painting memory.
Our memory records particular moments attached to certain places, certain scents, the memory of people who have passed away, certain objects. These objects carry within them the trace of fleeting, intimate moments. Seeing them again, touching them, reopens the door to our (their) memory.
They contain images linked to our lives; imbued with so many moments, impressions, sensations, that they end up no longer being simple objects...they contain the memory of tragic or happy events, the indelible mark of our landmarks, of our common memory...
The object then resonates with the traces of our (its) own history, deposited on its cutaneous envelope. Time then passes and envelops, impregnates these "objects" which accompany us and leaves there, as on us, imprints, traces, and indelible scars.
Painting "memory" is what remains in me of this figurative time, which fades and transforms into a simple impression, until it becomes abstraction. What memory leaves us of these moments, of these objects, but which inevitably fade, then fade away... and disappear... the furrows of the "black lights" series, the striations of these hollowed-out grids splashed with light, or the lines of deep or colored partitions, and these hollowed "steps", carry their traces in the furrows of my memory. My memories slide into these striations, at the mercy of this light of the past; appear, disappear, then fade away, closing access to my history.
This light sculpting the ivory of my blacks strangely resonates with the last words that Victor Hugo is said to have spoken: "This is the battle of day or night... I see black light." Serge Tenèze.
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